Scan barcode
A review by julianship
Devil House by John Darnielle
Did not finish book. Stopped at 42%.
DNF at 42% of the audiobook. I was hoping this book would solve some of the problems I had with Universal Harvester while retaining the evocative moments I enjoyed, but while the structure feels more cohesive, I just didn't like this book!
The first section is interesting, and Gage Chandler's ominous omniscience is an engaging way to tell a story that is partly about storytelling itself, and the ways that stories change based on who tells them. Not groundbreaking, but something I always enjoy.
But once we get to the segments on the White Witch and Derek, the characters move through the book too smoothly, slipping past each other without real emotional impact beyond violence. There's no relationship meat here, just description after description of location and brutality. Those descriptions are evocative, but they're not enough for me to stick around and see it through.
Also, this book needed to not have, inexplicably, sections in 1st, 2nd, AND 3rd person, which in the right hands could be interesting but here felt heavy-handed. Based on what I've read about the book, it seems the prose gets even more experimental later. Going off the beginning, I'm not sure that's going to be successful.
I really like Darnielle as a lyricist, and I'd like to see what he does in short story formats. But I don't think he has the stamina for longer fiction at this point - and that's fine! He's spent 30 years developing a masterful ability to bring a story to life in about 3-4 minutes. It's the 300 pages that create the issue.
The first section is interesting, and Gage Chandler's ominous omniscience is an engaging way to tell a story that is partly about storytelling itself, and the ways that stories change based on who tells them. Not groundbreaking, but something I always enjoy.
But once we get to the segments on the White Witch and Derek, the characters move through the book too smoothly, slipping past each other without real emotional impact beyond violence. There's no relationship meat here, just description after description of location and brutality. Those descriptions are evocative, but they're not enough for me to stick around and see it through.
Also, this book needed to not have, inexplicably, sections in 1st, 2nd, AND 3rd person, which in the right hands could be interesting but here felt heavy-handed. Based on what I've read about the book, it seems the prose gets even more experimental later. Going off the beginning, I'm not sure that's going to be successful.
I really like Darnielle as a lyricist, and I'd like to see what he does in short story formats. But I don't think he has the stamina for longer fiction at this point - and that's fine! He's spent 30 years developing a masterful ability to bring a story to life in about 3-4 minutes. It's the 300 pages that create the issue.
Content Warnings
Graphic: Gore, Violence, Vomit, and Murder