A review by thatgirlinblack
It by Stephen King

adventurous challenging dark emotional funny hopeful mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.25

Can an entire city be haunted?” questions Mike Hanlon. What else do you call it when memories of a childhood summer vanish from the minds of a group of friends? What else do you call it when the thought of returning to that town causes a suicide, violent bodily reactions, a possibly fatal drinking binge, a no-holds-barred domestic brawl, and countless tears and dread? What else do you call it when an orange-haired, white-faced clown emerges from storm drains with sharp teeth and murderous intent? 

In the midst of the inexplicable Derry, Maine, a group of seven ragtag ‘Losers’ grapple with not just their strangely vicious childhood bullies and clueless or sinister parents, but the purposeful machinations of an ancient cosmic evil that came from the skies and rules the sewers. 

It’s most frightening ability is of course to take the shape of its victim’s greatest fear, appearing sometimes simultaneously in different forms to different people. A terrifying side effect is the horrific zombied or bloody appearance that deceased family members take, proof of Pennywise’s corruption of pure human love. But the reveal of how deep the evil goes is sobering. Certainly Derry isn’t alone in its share of racist and bigoted (and violent) townspeople but the violence is somehow both shocking and run-of-the-mill because, well, it’s Derry. Has It corrupted the town or has the town created It? 

The 2 timelines in this book, now and 27-years ago, are expertly interwoven and all the more mysteriously horrific because the memory of “then” has been erased from the memories of the adult Losers Club, and only slowly come back to them as they traverse their childhood haunts (and have terrifying encounters showing that It is very much alive and well and malevolent. The events of that fateful summer are slowly revealed with the 2 parallel climaxes building toward an explosive end. 

King definitely gets long-winded in parts, continuing on with stories of people only tangentially involved in the main one. But it does flesh out the inhabitants of Derry more. 

Still, King makes some weird leaps. Firstly, it’s a coming-of-age book and the 1958 parts are certainly told through the eyes of the children who experienced them, evidenced through indecorous parts like pubescent kids’ blooming sexual thoughts and masturbation. And secondly, for all its naturalness, sex is still sex and sex isn’t childlike. I can understand childhood beliefs enabling the defeat of a fear that adults can’t even see. And I can understand physical closeness mirroring the emotional closeness the Losers feel. The infamous childhood gangbang scene plus a corresponding adulthood infidelity felt like an unnecessary step too far. 

Nevertheless, it’s an iconic story that stays with you long after the last page is turned. You get to know these characters, to feel for them, and you’re right there with them fighting for their lives in Its subterranean passageways. 

“It was like adults thought that real life only started when a person was five feet tall.” Well this book proves that there is definitely a lot of life to live and monsters to slay before you get five feet tall. 
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