A review by billyjepma
The Chosen and the Beautiful by Nghi Vo

dark mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

"It's a dream. Why not enjoy it for a little while?"

A sumptuous, decadent, horny, mesmerizing twist on The Great Gatsby. Vo's writing expertly mirrors the style of Fitzgerald's novel without simply imitating it—she weaves in bouts of sharp modernity and genre subversion that somehow manage to elevate and complicate the original book's ideals with new wrinkles and dimensions. I was repeatedly thrilled by the ways Vo takes the story I know so well and refracts through new lenses that enrich what's already present while also introducing new tensions and commentaries on race, sexuality, gender, class, wealth, and more. It's a savage, sexy love story that aptly rejects heteronormativity with rich, glorious aplomb, and I devoured just about every single word.

Not all of those added dimensions work, though, and I was left wishing that Vo had fleshed out the bits of magic she introduces into this version of the Roaring 20s. Other areas feel slightly undercooked or underutilized as well, but what's here is fascinating and speaks to the kind of hubris and self-fulfilled godhood that Fitzgerald interrogates. The problem is how fleeting Vo's development of these ideas is, as her references and illustrations of magic (or something more demonic) are so quick and loose that I wasn't initially sure if I was meant to take them literally or not. Maybe that's the point, but it didn't work for me the way I hoped and was a somewhat recurring speedbump during my otherwise entranced experience reading this lavish book.

And it is oh so lavish. I love how physical and sticky Vo's version of The Great Gatsby is, how she takes all of the sexual tension and longing of the original novel and brings them right to the surface with sensually charged crescendos of sex, manipulation, and vulnerability. None of these characters are good people, Vo repeatedly reminds us. Still, they are (more or less, in some cases) human and her intimate exploration and dissection of their deepest fears and most desperate longings are sensational. I was totally floored by this, even when it occasionally trips over itself, and I can easily see myself revisiting it alongside any rereads of Fitzgerald's book. It gets 4.5 stars and all my recommendations.

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