A review by expendablemudge
Disasterama!: Adventures in the Queer Underground 1977 to 1997 by Alvin Orloff

4.0

2020 UPDATE Nominated for a Lambda Literary Award in the Gay Memoir/Biography category. The Awards are announced on 8 June 2020.

The Publisher Says: DISASTERAMA: Adventures in the Queer Underground 1977 to 1997, is the true story of Alvin Orloff who, as a shy kid from the suburbs of San Francisco, stumbled into the wild eclectic crowd of Crazy Club Kids, Punk Rock Nutters, Goofy Goofballs, Fashion Victims, Disco Dollies, Happy Hustlers, and Dizzy Twinks of post-Stonewall American queer culture of the late 1970s, only to see the “subterranean lavender twilit shadow world of the gay ghetto” ravished by AIDS in the 1980s.

In Disasterama, Orloff recalls the delirious adventures of his youth—from San Francisco to Los Angeles to New York—where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters.

Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS’ wrath—the boys in black leather jackets and cackling queens in tacky frocks—remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of Orloff’s friends. In Disasterama, Orloff tells their story: the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster.

My Review: I'm Author Orloff's age. Despite being born within hailing distance of the place, I spent little time in San Francisco, more in Austin (a surprisingly queer place even then!) and New York, but the world we lived in as young men has utterly vanished. Many of the guys I knew are dead...many aren't...but all of us have empty slots where loved people once stood. But enough long-face!

What a fast-paced and nostalgic look back at a moment when being young was fun! It can't be helped that AIDS took the lives of so many. It feels like the world Orloff describes (and illustrates with candid snapshots and collected ads, posters, and the like...who the hell keeps this ephemera?!) is as distant as World War II. These days, fun seems dead and young people have to think about what we had the luxury of ignoring.

Selfishly, I'm glad I could ignore it. Responsibly, I wish I hadn't had that choice.