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A review by soumil_da_vinci
The Unbearable Lightness of Being by Milan Kundera
challenging
dark
emotional
hopeful
informative
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I gave a five star rating simply because I've never read anything like it.
This book reminds me of Murakami a lot. But here in this book, Kundera himself is a character, an obscure narrator who ponders and shares his thoughts with you on his creation- like a God sort of. It gives a sense of someone telling a story right before you and by Gods, I can listen to Kundera speak for eons.
There are just four main characters as mentioned in the blurb/summary: Tereza, Tomas, Sabina and Franz. Franz is the only one who is a bit distant from the other characters and I didn't quite like Franz. I didn't like a lot of characters at a lot of places but by the end I had found peace with them. Tereza is the only character who might feel close to something "good" and so the wider population might align with her thoughts and motives. But by the end, I too changed like Tereza and learnt to love the characters- all of them except Franz.
Franz-Sabina plotline brings in a lot of political commentary and picks up the political scenes of that time yet when I was reading the Tereza-Tomas portion, it never did itch me because it felt almost perfect for the characters and for the book as well. During the Franz storyline the political stuff get too much and I began to miss the philosophical comments which began at the start or the end of the chapters. It got a bit overwhelming at the latter half but I wanted to finish the book so I got with it and thankfully it was all worth it because "Karenin's Smile" and the first part of the book are the best parts. It ends in a way like the Christopher Nolan movies- at a point of catharsis not the actual end, although the "end" of the characters is given already.
The magic realism used here is the best of its kind. It emphasises more on the realism than the magic and the closest comparable thing is Norwegian Wood.
You won't miss the magic or you won't question why it is even called a piece of magic realism because it is used in such a subtle and realistic way. If you think of it, he magic realism which happens in this book, also happens in your life but you ignore it or choose to forget it because it's unimaginable.
Anyway, it was a great book, arguably the best book I've read this year...but unlike the Murakami books, I won't be returning to this one soon. This was good for one reading but since the author practically discusses everything with you, there's nothing much to do by reading it again. That is not a bad thing for me.
Kudos!
This book reminds me of Murakami a lot. But here in this book, Kundera himself is a character, an obscure narrator who ponders and shares his thoughts with you on his creation- like a God sort of. It gives a sense of someone telling a story right before you and by Gods, I can listen to Kundera speak for eons.
There are just four main characters as mentioned in the blurb/summary: Tereza, Tomas, Sabina and Franz. Franz is the only one who is a bit distant from the other characters and I didn't quite like Franz. I didn't like a lot of characters at a lot of places but by the end I had found peace with them. Tereza is the only character who might feel close to something "good" and so the wider population might align with her thoughts and motives. But by the end, I too changed like Tereza and learnt to love the characters- all of them except Franz.
Franz-Sabina plotline brings in a lot of political commentary and picks up the political scenes of that time yet when I was reading the Tereza-Tomas portion, it never did itch me because it felt almost perfect for the characters and for the book as well. During the Franz storyline the political stuff get too much and I began to miss the philosophical comments which began at the start or the end of the chapters. It got a bit overwhelming at the latter half but I wanted to finish the book so I got with it and thankfully it was all worth it because "Karenin's Smile" and the first part of the book are the best parts. It ends in a way like the Christopher Nolan movies- at a point of catharsis not the actual end, although the "end" of the characters is given already.
The magic realism used here is the best of its kind. It emphasises more on the realism than the magic and the closest comparable thing is Norwegian Wood.
You won't miss the magic or you won't question why it is even called a piece of magic realism because it is used in such a subtle and realistic way. If you think of it, he magic realism which happens in this book, also happens in your life but you ignore it or choose to forget it because it's unimaginable.
Anyway, it was a great book, arguably the best book I've read this year...but unlike the Murakami books, I won't be returning to this one soon. This was good for one reading but since the author practically discusses everything with you, there's nothing much to do by reading it again. That is not a bad thing for me.
Kudos!
Content Warnings
Graphic: Grief
Moderate: Animal death, Chronic illness, Death, Car accident, and War