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A review by fatimaelf
The Broken Girls by Simone St. James
dark
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
This book was devastatingly sad. There’s no getting around the fact that it centers around two murdered girls: one from the 50s, and one from the 90s. To be honest, for much of the book I was far more interested in the flashback period, where the book focused on the boarding school and the four girls’ relationship within it. The boarding school enduring what they believed to be persistent haunting, the generations of girls passing wisdom to each other in their textbooks, the delinquent students clashing with each other while only having each other to rely on — this was far more compelling for much of the book than the return to modern times. Fiona’s story really only became interesting about halfway through, because though she purportedly had a purpose (to find out what really happened to her sister, and to figure out why someone was restoring the grounds upon which her body was found), the purpose seemed non-urgent considering her sister’s murderer was in prison, and there didn’t seem to be much of a story behind the school’s restoration. Once the book picked up, though, it really did pick up. I liked the mystery surrounding Mary Hand, the ghost — the question of how real she was, what she could really do. Mary Hand’s story ended up being fairly banal: a girl birthing a supposed stillborn child out of wedlock, accusing her parents of murdering the baby, then being locked out in the cold to her death. I suppose, though, that the ordinariness of the story is the point. Too many girls had their stories end that way, their anger so great it seems impossible death would defeat it. And in fact, in many ways, death didn’t defeat these girls’ fury. Not in 1950, not in 2014, and not in the 19th century, when Mary Hand died. I liked the twist at the end, that the ghost wasn’t doing any of the killing, but if you saw her coming for you, her face masked the real killer’s. The addition of the Holocaust was unexpected but done very well, as was the handling of the police force. Initially I thought the book would be copaganda, since Fiona’s partner Jamie was part of the police department, but it became very realistic very fast by exposing the corruption of many small town (and even big city) law enforcement agencies. Beyond that, though, it truly is a sad read. It’s always incredible to think about how one decision begins a cascade of others that may result in tragedy. If Sonia hadn’t gone to her great-aunt and great-uncle’s house, if she hadn’t left early, if she hadn’t changed her ticket at the travel agency…if Helen had told more people about Tim, if Deb hadn’t gone in his car, if someone had spoken up, or done something; if powerful people weren’t granted special immunity, if terrible people weren’t allowed to go into hiding. A series of events, entirely preventable, somewhat coincidental, that hurt so many and shaped so many lives. Because of its thought-provoking nature and despite its sadness, I think the book is worth reading, and probably in the future I’ll go back and reread it to catch the little things I know that I missed.
Moderate: Child death, Suicide attempt, and Murder
Minor: Domestic abuse, Sexual assault, and War