A review by withlivjones
A Thousand Ships by Natalie Haynes
dark
emotional
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
“A war does not ignore half the people whose lives it touches. So why do we?”
THIS is how you do a retelling. Natalie Haynes expertly weaves together a tapestry of narratives to provide us with a detailed picture of the Trojan War from the perspective of the women who were affected by it. And it is commendable how many women she includes, from the well-known Cassandra to the more obscure Laodamia and Oenone. I would recommend prior knowledge of the Trojan Cycle in order to get the most out of this book, just because of the amount of detail Haynes has managed to pack in, but the novel still feels accessible enough that one would probably still understand it with minimal knowledge.
There are so many fantastic lines throughout that really pack a punch, and the novel discusses the different things that can define womanhood, what it means to be a hero (because the heroes of the Trojan War weren’t just the ones fighting), and the lasting effects of war. Haynes draws from a wide range of ancient sources, and I particularly enjoy the inspiration from Ovid’s Heroides in Penelope’s letters to Odysseus that gradually get more and more impatient and sarcastic. My favourite parts by far, though, are Calliope’s chapters that suddenly become rather meta, as if she is wrenching control of the story from the male poet who is entreating her in a display of feminine solidarity - in order to give her fellow women the spotlight. I sometimes feel like Haynes is speaking directly to female readers through these characters who are suffering at the hands of the patriarchy and saying ‘I see you, and you are not alone’. It’s enough to inspire a bit of female rage in all of us.
There are a few other perspectives I would have loved to see: Helen’s, for example, since I still believe she is grossly misrepresented in many interpretations of the Trojan Cycle. Haynes also expresses a wish that she could have included a chapter on Dido, which I also would have thoroughly enjoyed. But if anything, this is just a sign that I wish the book were longer!
Overall, this is definitely going to the top of my list of favourite Greek mythology retellings, and in the future I will be recommending it to anyone who expresses an interest in the Iliad. Why read the Catalogue of Ships when you can read a catalogue of reasons why men suck? (jk jk…)
THIS is how you do a retelling. Natalie Haynes expertly weaves together a tapestry of narratives to provide us with a detailed picture of the Trojan War from the perspective of the women who were affected by it. And it is commendable how many women she includes, from the well-known Cassandra to the more obscure Laodamia and Oenone. I would recommend prior knowledge of the Trojan Cycle in order to get the most out of this book, just because of the amount of detail Haynes has managed to pack in, but the novel still feels accessible enough that one would probably still understand it with minimal knowledge.
There are so many fantastic lines throughout that really pack a punch, and the novel discusses the different things that can define womanhood, what it means to be a hero (because the heroes of the Trojan War weren’t just the ones fighting), and the lasting effects of war. Haynes draws from a wide range of ancient sources, and I particularly enjoy the inspiration from Ovid’s Heroides in Penelope’s letters to Odysseus that gradually get more and more impatient and sarcastic. My favourite parts by far, though, are Calliope’s chapters that suddenly become rather meta, as if she is wrenching control of the story from the male poet who is entreating her in a display of feminine solidarity - in order to give her fellow women the spotlight. I sometimes feel like Haynes is speaking directly to female readers through these characters who are suffering at the hands of the patriarchy and saying ‘I see you, and you are not alone’. It’s enough to inspire a bit of female rage in all of us.
There are a few other perspectives I would have loved to see: Helen’s, for example, since I still believe she is grossly misrepresented in many interpretations of the Trojan Cycle. Haynes also expresses a wish that she could have included a chapter on Dido, which I also would have thoroughly enjoyed. But if anything, this is just a sign that I wish the book were longer!
Overall, this is definitely going to the top of my list of favourite Greek mythology retellings, and in the future I will be recommending it to anyone who expresses an interest in the Iliad. Why read the Catalogue of Ships when you can read a catalogue of reasons why men suck? (jk jk…)
Content Warnings
Graphic: Genocide, Grief, Violence, Death, Child death, Rape, Slavery, War, Blood, Death of parent, Fire/Fire injury, Infidelity, Sexual assault, Abandonment, Alcohol, Animal death, Misogyny, Murder, Sexism, Suicide, and Injury/Injury detail