A review by owenblacker
Hollow Heart: The Complete Series by Adrian F. Wassel, Paul Allor, Paul Tucker
4.0
Writer Allor describes Hollow Heart as being “the story of a man trying to save a monster, and inadvertently teaching him to be monstrous”; it’s a delicately paced story with both action and deep introspection, a “moody slow-burn” from the writer–artist pair who previously worked on Tet, “a startling, nuanced exploration of a conflict many of us thought we knew and understood”.
To quote the blurb directly:
Queer writer–letterer Allor adapted from his experience of his father’s decades of living with chronic pain; to quote his interview with Preview World:
And illustrator Paul Tucker, responsible for both the line-art and the colours, brings beautiful depth to the story, including surprising emotion to a hot-pink skull in a mecha suit, and helps obscure the body-horror of our Frankenstein protagonist without removing the horror of the impact of violence.
And importantly, again to quote Allor, “Hollow Heart isn’t primarily a horror story about being queer; it’s a horror story about queer characters” — there is no homophobia, no sexual violence and no awkward coming out: “everyone is queer, … the monsters, the heroes, the villains, everybody”.
Alexandra Iciek puts it perfectly in her review of the 6th and final edition, describing it as being “as heartbreaking as it is genius”. Short and sweet — and beautifully illustrated — Hollow Heart is indeed a great queer monster love story horror and an interesting view into how good intentions towards disabled people are not what we need; intent is not magic and impact is what actually matters.
CN: slavery, murder, chronic pain, body horror, “well-intentioned” suppression of a disabled character's agency.
To quote the blurb directly:
EL used to be human. Now he’s a jumble of organs in a bio-suit. El is also in tremendous pain and has been for a very long time. Hope arrives in the form of Mateo, a mechanic brought in to work on EL’s suit. Mateo sees EL in a way no one else ever has. And what’s more: Mateo offers EL an escape.
Hollow Heart reunites Tet creators Paul Allor and Paul Tucker for a queer monster love story about the choices we make between giving our loved ones what they want and giving them what we think they need.
Queer writer–letterer Allor adapted from his experience of his father’s decades of living with chronic pain; to quote his interview with Preview World:
Empathy is a tool and a burden and a gift … Hollow Heart is about what happens when a largesse of empathy does the same thing. It’s about the overwhelming desire to relieve someone’s burden, and how that desire can warp our view of someone, transforming them from a complex being with conflicting wants and desires, into something more abstract: a person defined only be their pain, and by the need to remove it.
And illustrator Paul Tucker, responsible for both the line-art and the colours, brings beautiful depth to the story, including surprising emotion to a hot-pink skull in a mecha suit, and helps obscure the body-horror of our Frankenstein protagonist without removing the horror of the impact of violence.
And importantly, again to quote Allor, “Hollow Heart isn’t primarily a horror story about being queer; it’s a horror story about queer characters” — there is no homophobia, no sexual violence and no awkward coming out: “everyone is queer, … the monsters, the heroes, the villains, everybody”.
Alexandra Iciek puts it perfectly in her review of the 6th and final edition, describing it as being “as heartbreaking as it is genius”. Short and sweet — and beautifully illustrated — Hollow Heart is indeed a great queer monster love story horror and an interesting view into how good intentions towards disabled people are not what we need; intent is not magic and impact is what actually matters.
CN: slavery, murder, chronic pain, body horror, “well-intentioned” suppression of a disabled character's agency.