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A review by opldxblqo
Penance by Eliza Clark
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I am exactly the demographic for this book: late 20s white woman who spent considerable time on Tumblr in the early 2010s; this book would have fallen short if not for lighting up the teenage nostalgia centers of my brain with its references to the edgy internet culture of my morbid youth (No, I wasn't ever in a serial killer fandom, but I ate up true crime and occasionally looked at "pro ana" blogs with a horrified outsider's fascination). Any reader who missed out on the absolute chum bucket that was Tumblr in the early 2010s (lucky you!) will likely be bored by large chunks of this book.
Despite its heavy reliance on niche internet nostalgia, what Clark gets right in Penance is the critical look at the culture of violence entertainment in true crime media. Penance asks readers to look inward at their rubber-necking voyeurism without scolding; asks readers to question the motives of true crime content creators, and understand that this content more often than not retraumatizes victims' families. Though this exact critique has been explored many times through fiction in the last couple of years in novels such as I Have Some Questions for You by Rebecca Makkai (blah), and Bright Young Women by Jessica Knoll (five starts!), Penance does so much more thoroughly through the use of metanarrative. The sections of prose are well written and each character feels fully fleshed and complex; a delightful surprise after Clark's disappointing first novel, Boy Parts.
Despite its heavy reliance on niche internet nostalgia, what Clark gets right in Penance is the critical look at the culture of violence entertainment in true crime media. Penance asks readers to look inward at their rubber-necking voyeurism without scolding; asks readers to question the motives of true crime content creators, and understand that this content more often than not retraumatizes victims' families. Though this exact critique has been explored many times through fiction in the last couple of years in novels such as I Have Some Questions for You by Rebecca Makkai (blah), and Bright Young Women by Jessica Knoll (five starts!), Penance does so much more thoroughly through the use of metanarrative. The sections of prose are well written and each character feels fully fleshed and complex; a delightful surprise after Clark's disappointing first novel, Boy Parts.
Moderate: Child abuse, Child death, Confinement, Death, Emotional abuse, Gun violence, Incest, Pedophilia, Rape, Sexual violence, Suicide, Torture, Mass/school shootings, Murder, Fire/Fire injury, and Toxic friendship