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A review by ed_moore
Kafka on the Shore by Haruki Murakami
adventurous
challenging
dark
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
“All I know is I’m totally alone, all alone in an unfamiliar place, like some solitary explorer who has lost his compass and map, is that what it means to be free?”
I have so many emotions towards Murakami’s ‘Kafka on the Shore’, and it’s really difficult to determine how I feel about it. It is about a 15 year old boy, Kafka Tamura, who runs away from home and settles in a library. His story is somewhat a retelling of the Oepidus Myth which is already a messed up tale, but combined with the elements of magical realism Murikami implements, this book just becomes really weird.
The other protagonist of whom held the alternate view point is a sixty year old man called Nakata of whom brings many of the weird elements. I adored his storyline and he was so wholesome and just innocently went around talking to cats and making it rain fish while pursuing some goal which he never really knows the true purpose of or even where he is supposed to be going. Nakata was such a fun and wholesome character whose story was just repeatedly ruined by the enveloping perspective of Kafka who really was just a very horny teenager.
On one hand the ‘weird’ of this book reminded me a lot of Bulgakov’s ‘The Master and the Margarita’ with the aforementioned fish and talking cats and unexplainable appearance of Colonel Sanders for a plot convenience which he really did not need to be the face of KFC to convey. The other kind of weird completely ruined all the magic and was just disturbing. Murikami couldn’t go two chapters without describing erection or sexual fantasies, and constantly felt a need to intimately describe the penis. There are two instances of rape which he hardly recognises and handles awfully, many attempts to describe periods and the female body that he clearly had no comprehension of, and though my comprehension is by no means great I can absolutely tell you Murakami’s was beyond awful, and numerous extremely violent episodes of animal cruelty and mutilation which did not need to be so intimate to convey the point that the plot aimed to. Also a lot felt unexplained in the ending, as is probably inevitable with such a wacky book, but that concern is far from the issues I had with the violence and erotica.
It is disappointing really, because the plot was captivating and at its heart I felt was about belonging, and not knowing where you truly belong until you are forced to spend time away from there. I adored Nakata’s character and the ending really struck me in the feels, but just so many times I was pulled away from the story with disgusting descriptions and depictions of erotica which were far from necessary and handled awfully. It was a brilliant plot completely ruined because Murakami can’t keep his sexual fantasies to himself.
Graphic: Animal cruelty, Animal death, Body horror, and Rape
Moderate: Adult/minor relationship, Blood, and War