A review by kaziaroo
Dracula Daily by Bram Stoker

adventurous emotional hopeful slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

My thoughts on the book: I can see why it was so impactful at the time and has inspired so many works in literature, but from a modern lens it was often quite... Dull. There is a lot of paperwork and planning and emotional monologuing, and Dracula himself appears very little (although that makes it more impactful when he does). There is a lot more religious emphasis than I was expecting; the characters are all doing God's work first and foremost, but there was a hint of white saviourism in the plot – it's only when Dracula dares to attack an Englishwoman that anyone cares enough to hunt him down and end his evil.
The book is a fascinating depiction of attitudes towards women and purity, and how these attitudes were changing – Mina is praised for her quick thinking and logic, but also her innocence and loveliness which must be protected at all costs. It was as if no one was quite sure what to make of her, but so long as the men did all the dangerous work no one minded. I couldn't tell if I actually liked Mina or if I was just swayed by how much the others praised her. She and Van Helsing were definitely the most memorable characters as the others often blurred together.
The ending came very suddenly, with lots of buildup and then the climax came and went within a couple of paragraphs. But if you consider when it was written, and how reading and storytelling styles have changed (and in fact how this story influenced them), the book's flaws become more forgivable.

My thoughts on the Dracula Daily format: The real-time format was a double-edged sword for me. On one hand, it made some parts more tense and exciting; when Jonathan was trapped in Castle Dracula and we didn't hear from him for a day or two, I would wonder if he was all right and why he wasn't writing. But slower, less action-packed sections which one would normally breeze through in on sitting (such as Mina's holiday diary in Whitby) were dragged out as we were drip fed the passages. Minor, mundane scenes were given undue weight because it was all we could read that day. On the whole, it was an interesting way to experience the book and feel the timeline of events in real time, but it's clear that it's not how the author intended it to be read and so it doesn't always work. From a practical standpoint, it would be good if the emails came with some kind of calendar or heads up of when the next section was coming and how long it would be, so that readers can plan ahead for the longer sections or not be disappointed when all they get is a telegram.

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