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A review by booksthatburn
The Empire of Gold by S.A. Chakraborty
dark
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
THE EMPIRE OF GOLD is a satisfying conclusion to the amazing Daevabad Trilogy, taking its time tying up everything and everyone with suitable endings, as much as is possible for conflicts that brewed for millennia.
Dara's character arc is particularly good, but there's much to love for Nahri and Ali as well. The pacing is excellent, the characters’ motivations are coherent even as events become bloodier, and I’m very satisfied with the ending. It's everything I loved about the first two, but with more catharsis and resolution since it's the final book in the trilogy. The longer page count let the story take how long it needed, with space for things to play out at a wonderful pace.
This wraps up a bunch of stuff left hanging from the previous book. There's a storyline that has most of its major elements here though it wasn't entirely new for this book. This is definitely a distinct phase of the larger story, with enough that's unique to it for it to stand out, but more than enough in common to be a great finale. The big things I can think of that get resolved here are working off of ground laid before, so nothing is wholly new but the way things are developed and complicated makes it feel fresh. As the last book, things are wrapped up very well. The characters get endings that are right for them and I like how things work out for Daevabad as a whole. A few things are left open, but it's the openness of possibility for the characters who made it to the end of the book. The main characters are the same and their narrative voices have stayed consistent, with some changes in how they think about certain events. This wouldn't make sense if someone started here and hadn't read the first books. There's enough story here that if someone persisted after the first few chapters they might have a good time, but a lot of what makes this so good is dependent on knowing what the characters and their city have been through, without that knowledge the resolutions wouldn't be as meaningful. If you're intrigued by book three, please go back to the beginning and read the whole trilogy.
I loved this and I'm sad there isn't more, but there's plenty to linger over.
Dara's character arc is particularly good, but there's much to love for Nahri and Ali as well. The pacing is excellent, the characters’ motivations are coherent even as events become bloodier, and I’m very satisfied with the ending. It's everything I loved about the first two, but with more catharsis and resolution since it's the final book in the trilogy. The longer page count let the story take how long it needed, with space for things to play out at a wonderful pace.
This wraps up a bunch of stuff left hanging from the previous book. There's a storyline that has most of its major elements here though it wasn't entirely new for this book. This is definitely a distinct phase of the larger story, with enough that's unique to it for it to stand out, but more than enough in common to be a great finale. The big things I can think of that get resolved here are working off of ground laid before, so nothing is wholly new but the way things are developed and complicated makes it feel fresh. As the last book, things are wrapped up very well. The characters get endings that are right for them and I like how things work out for Daevabad as a whole. A few things are left open, but it's the openness of possibility for the characters who made it to the end of the book. The main characters are the same and their narrative voices have stayed consistent, with some changes in how they think about certain events. This wouldn't make sense if someone started here and hadn't read the first books. There's enough story here that if someone persisted after the first few chapters they might have a good time, but a lot of what makes this so good is dependent on knowing what the characters and their city have been through, without that knowledge the resolutions wouldn't be as meaningful. If you're intrigued by book three, please go back to the beginning and read the whole trilogy.
I loved this and I'm sad there isn't more, but there's plenty to linger over.
Graphic: Body horror, Death, Genocide, Gore, Slavery, Torture, Violence, Blood, Medical content, Grief, Medical trauma, and Murder
Moderate: Cursing, Homophobia, Self harm, Suicidal thoughts, Excrement, Suicide attempt, and Colonisation
Minor: Sexual content and Kidnapping
CW for eye injury (graphic), major character death (graphic).