A review by witcheep
The Unfortunate Side Effects of Heartbreak and Magic by Breanne Randall

adventurous emotional lighthearted slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.0

I struggled to get through this book a lot! I found it extremely difficult to take interest or actually care about the characters or the plot. This is because most of the events, thoughts and feelings are rather told than shown: I see no evidence for most of the claimed inner life. The plot goes all over the place, and even if the slightest hints of the main plot remain predictable throuhout the book, there seems to constantly be some random subplot event popping up. The book could have used some strong streamlining!

The one redeeming quality of this book is how it shows facing the death of a loved one and the consequent grieving; as mentioned in the acknowledgements, the author managed to write her own feelings of grief into the book in a way that the characters and the reader can also feel.

The overall vibe of this book is a confusing mix of attempted coziness (small town life, cooking, and gardening) and watered-down tenseness (bad omens, vague curses, and death threats). These two vibes clash in a way that cannot make a cohesive whole. Very vague magic system and magical rituals pulled from thin air when the plot needs a miracle don't help the immersion either: when every out-of-nowhere problem will have an out-of-nowhere magical solution, even the unpredictable becomes boringly predictable.

There is a similar confusion in the main character Sadie. She likes to think herself as having her life put together in her routines, but in reality she is very childish and stubborn to the core. She seems more like a teenager than a twenty-something adult.

It was just another dark thing she didn't want to look in the eye.

Sadie avoids everything she thinks is uncomfortable: escapes in the middle of conversations, refuses to accept facts she doesn't like, and avoids facing her own feelings. Her being as scatterbrained and stubborn as she is, results in narration that constantly grasps to insignificant reminiscing and loses the point of the current events. A considerable amount of the story feels like unnecessary and repetitive filler that aims for cosiness but lands on pure boring rambling. There were also multiple points in the narration when I was lost on what or who the part was talking about; for example a whole paragraph talking about a she that is revealed to be someone else than was mentioned in the previous paragraph, or confusing dialoque tags.

This was not a book for me, and I'm frustrated with myself that I didn't just leave it unfinished.
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