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A review by emmaward55
Jaws by Peter Benchley
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Fuck this book and fuck Benchley tbh.
His treatment of the female characters of Jaws is ghastly. The further I read, the more obvious it became that the late Peter Benchley thought of women as mere victims for men to abuse as they please and without consequence. We see this at first with our ‘hero’ police chief Brody covering up serial rapes with no negative consequences or moral qualms over his actions.
This barely scratches the surface, however, as about halfway through the book Brody's wife, Ellen, cheats on him with another man. Ellen seduces Hooper with an elaborate 'schoolgirl' rape fantasy that was detailed enough to almost send me into a panic attack. The details of her imagination may be repulsive, but worse than that is her conviction that she would secretly enjoy it, even orgasm, and her belief that other women share this fantasy. This nauseating theme carries through to the culmination of Ellen and Hooper’s affair, where the violence of the intercourse is described as "assaulting" Ellen and Hooper doesn't even look at Ellen, let alone speak to or acknowledge her. She is simply an object for him to abuse until he is satisfied.
Brody himself treats his wife no better, getting blindingly drunk at a party they're hosting and criticising and insulting Ellen all night and in front of their guests, later making her cry. He also considers beating her once he discovers her affair, but decides not to as it "won't do any good". Despite this, Ellen comes to the conclusion that she's lucky to have Brody and that she is still in love with him.
With all this being said, there was a way that Benchley could have written these events without it seeming like a rapist's sexual fantasies put to paper. The book has no awareness of (and therefore makes no commentary on) how it treats its female characters. The men who do these awful things never face consequences for their actions. Rape is glorified, whilst mentions of the survivors are avoided, focusing only on the attackers and the fantasy of the 'ideal victim', who want to be brutalised and who would make the experience all the more enjoyable for the attacker. Brody becomes a hero, his wife rekindles her loyalty to him and we as readers have no reason to think that Brody won't cover up the crimes of the next rapist to walk into town. After all, we already know who Brody will choose to protect when the choice is between the female population of the town and the town itself. I really do believe that this could have been handled in a nuanced way, perhaps with the survivors of the serial rapist coming forward and furthering the message that covering up crimes hurts the town more in the long-term.
Regardless, the narrative that we're left with is the definition of rape culture. The whole thing left me disgusted, angry, and profoundly disappointed. Benchley died in 2006, so we can never really know why he wrote about rape in this manner, but it matters. It matters that his book made it to print with that content. Jaws is a huge part of cultural (especially film) history and as long as we continue to discuss it, we should also acknowledge this unforgivable flaw. After all, it is an integral to the narrative as the eponymous shark itself.
TL;DR: The film is better.
His treatment of the female characters of Jaws is ghastly. The further I read, the more obvious it became that the late Peter Benchley thought of women as mere victims for men to abuse as they please and without consequence. We see this at first with our ‘hero’ police chief Brody covering up serial rapes with no negative consequences or moral qualms over his actions.
This barely scratches the surface, however, as about halfway through the book Brody's wife, Ellen, cheats on him with another man. Ellen seduces Hooper with an elaborate 'schoolgirl' rape fantasy that was detailed enough to almost send me into a panic attack. The details of her imagination may be repulsive, but worse than that is her conviction that she would secretly enjoy it, even orgasm, and her belief that other women share this fantasy. This nauseating theme carries through to the culmination of Ellen and Hooper’s affair, where the violence of the intercourse is described as "assaulting" Ellen and Hooper doesn't even look at Ellen, let alone speak to or acknowledge her. She is simply an object for him to abuse until he is satisfied.
Brody himself treats his wife no better, getting blindingly drunk at a party they're hosting and criticising and insulting Ellen all night and in front of their guests, later making her cry. He also considers beating her once he discovers her affair, but decides not to as it "won't do any good". Despite this, Ellen comes to the conclusion that she's lucky to have Brody and that she is still in love with him.
With all this being said, there was a way that Benchley could have written these events without it seeming like a rapist's sexual fantasies put to paper. The book has no awareness of (and therefore makes no commentary on) how it treats its female characters. The men who do these awful things never face consequences for their actions. Rape is glorified, whilst mentions of the survivors are avoided, focusing only on the attackers and the fantasy of the 'ideal victim', who want to be brutalised and who would make the experience all the more enjoyable for the attacker. Brody becomes a hero, his wife rekindles her loyalty to him and we as readers have no reason to think that Brody won't cover up the crimes of the next rapist to walk into town. After all, we already know who Brody will choose to protect when the choice is between the female population of the town and the town itself. I really do believe that this could have been handled in a nuanced way, perhaps with the survivors of the serial rapist coming forward and furthering the message that covering up crimes hurts the town more in the long-term.
Regardless, the narrative that we're left with is the definition of rape culture. The whole thing left me disgusted, angry, and profoundly disappointed. Benchley died in 2006, so we can never really know why he wrote about rape in this manner, but it matters. It matters that his book made it to print with that content. Jaws is a huge part of cultural (especially film) history and as long as we continue to discuss it, we should also acknowledge this unforgivable flaw. After all, it is an integral to the narrative as the eponymous shark itself.
TL;DR: The film is better.
Content Warnings
Graphic: Alcoholism, Animal death, Child death, Death, Gore, Infidelity, Rape, Sexism, Vomit, and Death of parent
Moderate: Cursing, Fatphobia, Sexual content, and Toxic relationship
Minor: Domestic abuse, Drug use, Racism, Grief, and Lesbophobia
Also a straight man lies about a lesbian in a committed relationship with another woman wanting to 'try it straight' and have sex with him. We the readers know that his only interaction with her was a polite conversation at a dinner party and she never expresses any such desire.