A review by thoroughlymodernreviewer
Doctor Who: The Day of the Doctor by Steven Moffat
5.0
Steven Moffat should absolutely consider novelizing more of his episodes if the BBC decides to do more of these. This book brilliantly expands on all the best parts of the episodes while filling in gaps that weren't able to be filled in in the episode itself. There are so many unexpected elements of this book that I don't wanna go into any detail about them for fear of ruining the fun. Needless to say, if you loved the episode, you'll love the book. And the best part is that it's still a surprising book even if you've seen the episode one hundred times. It begins with an adaptation of the 8th Doctor mini-episode, Night of the Doctor, and that's everything you'd ever hoped it would be, and continues from there, more or less following the sequence of events as they happened in the episode, while adding lots of new details here and there as appropriate. There are many, many little moments that Moffat sprinkles throughout this adaptation that really adds to the magic of the episode, especially towards the end when the multiple incarnations of the Doctor come together to save Gallifrey.
Moffat plays with point of view a lot in this book and uses the fact that it's a multi-Doctor story to his advantage when it comes to exploring the Doctor's thoughts in regards to the action happening around him. There's a chapter, about midway through the book, where the 10th Doctor, 11th Doctor, and War Doctor are being transported to the London Tower and the chapter really goes into how it feels for the Doctor to be experiencing the same events, over and over again, throughout these three incarnations. This exploration comes to a head in a later chapter that covers the events inside the prison cell where the multiple incarnations of the Doctor confront themselves over how many children were on Gallifrey when it was destroyed. It's a beautiful moment in the show that's made even more beautiful by the way Moffat uses the prose to explore the thoughts and feelings of each of these three Doctors and how it feels to know what's about to happen and having to feel the pain of the realization over and over again. My words don't do the beauty of the chapter justice.
Like many of Moffat's best episodes, this adaptation of The Day of the Doctor features many timey-wimey elements, least of which being the fact that the chapters aren't at all in the correct order (the first chapter of the book is actually Chapter 8, and they continue to be out of order for the remainder of the book). There's a reason for all of this, of course, but it still feels very Moffat-y. The action jumps around from scene to scene and features lots of added scenes and asides to flesh out the book, and it's all narrated by a rather surprising narrator. At the end of the day, if you liked the episode, you'll love the novel even more. It's Moffat at his best.
Moffat plays with point of view a lot in this book and uses the fact that it's a multi-Doctor story to his advantage when it comes to exploring the Doctor's thoughts in regards to the action happening around him. There's a chapter, about midway through the book, where the 10th Doctor, 11th Doctor, and War Doctor are being transported to the London Tower and the chapter really goes into how it feels for the Doctor to be experiencing the same events, over and over again, throughout these three incarnations. This exploration comes to a head in a later chapter that covers the events inside the prison cell where the multiple incarnations of the Doctor confront themselves over how many children were on Gallifrey when it was destroyed. It's a beautiful moment in the show that's made even more beautiful by the way Moffat uses the prose to explore the thoughts and feelings of each of these three Doctors and how it feels to know what's about to happen and having to feel the pain of the realization over and over again. My words don't do the beauty of the chapter justice.
Like many of Moffat's best episodes, this adaptation of The Day of the Doctor features many timey-wimey elements, least of which being the fact that the chapters aren't at all in the correct order (the first chapter of the book is actually Chapter 8, and they continue to be out of order for the remainder of the book). There's a reason for all of this, of course, but it still feels very Moffat-y. The action jumps around from scene to scene and features lots of added scenes and asides to flesh out the book, and it's all narrated by a rather surprising narrator. At the end of the day, if you liked the episode, you'll love the novel even more. It's Moffat at his best.