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A review by wordsareworlds
Exit West by Mohsin Hamid
adventurous
challenging
dark
emotional
hopeful
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Exit West was a thought-provoking read that I enjoyed immensely. Hamid wielded tension and emotions so well, and while the pace is slow it felt perfectly matched to the story and character development. The alternate, intersecting paths of religion and traditional beliefs and independent exploration were both handled with respect and nuance that I appreciated. The parallels to current real-world events and attitudes are impossible to ignore, but Hamid has told a story that ends in hope more than sadness.
I also found the layers of storytelling Hamid used very interesting. There is Saeed and Nadia's relationship, and one step out we get to know a bit about people who intersect their lives and often how those people die or another detail from their future, and then also more about the war that has now most definitely come to their city, and then snippets of separate, apparently unrelated events around the world. There is a surreal quality to Hamid's descriptions. They simultaneously feel a step removed and immediate. All of this is related as past events, and without much explicit or long description of the characters' feelings, but the events and their actions make those feelings abundantly clear and impactful. I spent a lot of time thinking about why Hamid chose to give us glimpses into specific moments in Saeed and Nadia's lives, and which side characters he chose to give us more details about. Each choice felt very deliberate and like it built on what was going on around them in a complex and nuanced way.
The book overall was very interesting, and the ways that the doors changed some things about immigration and otherness and not others were layered and complex. I enjoyed Saeed, Nadia, and the evolution of their relationship. Also very, very happy about having a bi South Asian MC whose sexuality wasn't a source of angst or persecution. The book has a sense of ebb and flow about it, and that neither happiness nor sadness is all-encompassing or static, and the doors don't change that but make both more accessible and immediate to people's lives.
I also found the layers of storytelling Hamid used very interesting. There is Saeed and Nadia's relationship, and one step out we get to know a bit about people who intersect their lives and often how those people die or another detail from their future, and then also more about the war that has now most definitely come to their city, and then snippets of separate, apparently unrelated events around the world. There is a surreal quality to Hamid's descriptions. They simultaneously feel a step removed and immediate. All of this is related as past events, and without much explicit or long description of the characters' feelings, but the events and their actions make those feelings abundantly clear and impactful. I spent a lot of time thinking about why Hamid chose to give us glimpses into specific moments in Saeed and Nadia's lives, and which side characters he chose to give us more details about. Each choice felt very deliberate and like it built on what was going on around them in a complex and nuanced way.
The book overall was very interesting, and the ways that the doors changed some things about immigration and otherness and not others were layered and complex. I enjoyed Saeed, Nadia, and the evolution of their relationship. Also very, very happy about having a bi South Asian MC whose sexuality wasn't a source of angst or persecution. The book has a sense of ebb and flow about it, and that neither happiness nor sadness is all-encompassing or static, and the doors don't change that but make both more accessible and immediate to people's lives.
Content Warnings
Graphic: Death, Sexual assault, Violence, and Grief
Moderate: Racism and War