A review by collsin05
Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes

slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

1.25

Good idea but terrible execution. Doria and Gemma were after thoughts and Cliff used up too much thought. The whole thing was a convoluted mess with long sentences, clunky paragraphs, and unnecessary chapters slowing now the pacing at intense plot points. I mean
Gemma was possibly killed and there were about 4 chapters between her getting crushed by cinderblocks and us checking in on her at the hospital to see if she even was alive
Gemma was never meant to succeed. She was never meant to be anything other than an object for Cliff to fond over. We were only introduced to her “backstory” after Cliff had been dreaming of her and acting like he knew her. The misunderstanding keeping them apart was her relationship with Jud, but that was just because she had to “platonically seduce?” Her target so she needed practice. Like I said that was all just made up for the purpose of making Cliff jealous. And she was set up to fail, with her flimsy little plan all the teachers said would fail, but they graduated her anyone despite them all agreeing that she wasn’t ready… because Cliff was ready. And if Cliff wasn’t going to be at school to play water polo and work in the kitchen, then why would the narrative bother taking place at the school? For female characters to exist outside the male gaze of the real and only protagonist? No she she had to go
and she had to fail because how else could she return to the school and be reunited with her beloved whom she had never spoken to. How else could she have a happy ending?
it was a general convoluted mess with deep sea diving, secret trash can drop offs, cross dressing, stealing cars, something about the Dali lama and there was this one Latvian delivery boy? It was impossibly to follow. There were no real plot twists and between Cora, Gemma, and doria there was an unsettling demonization of female sexuality as if their sexuality was owned by some polygamous man or another with true female promiscuity being severely punished and virginal purity being rewarded. Even if the narrator did call out this double standard and did punish the worst male offenders.
But it was clear in the end that the pure girl would be rewarded by winning Cliff, and the independent woman who don’t need no man would be turned into a pig one way or another, and that Cliff is the only true protagonist
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