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A review by rwilhoyte
Within These Walls by Ania Ahlborn
4.0
I waver between giving this 3.5 stars and 4 stars but I think two things make it deserve 4 stars: R.C. Bray's narration which helps to maintain tone throughout and the fact that I can't decide if this would've been a more solid 4 star read for me if I had read it in print. Yeah, those two things are contradictory, but here's my problem: I never lost the feeling that this story feels like a novel and a sequel short story mashed together.
The novel is told in two time lines. In 1983, Audra Snow, a lonely, depressed senator's daughter, is seduced into joining a cult led by the attractive Jeffrey Halcomb. We know from the beginning that this will end tragically for her and the other members of the cult. What we don't know is how and this time line shows us those events.
The second time line features Lucas, a true crime writer struggling to figure out his next big hit while his marriage is crumbling and his daughter, Virginia, is succumbing to teenage angst. He receives a letter from Jeffrey Halcomb in state prison saying that Halcomb will grant him an exclusive interview if Lucas agrees to move into the scene of Halcomb's crime. Lucas agrees and, almost immediately, weird shit ensues. Furniture is stacked and moved, Lucas and Virginia see people moving about outside and in the house and the past seems to bleed into the present. But Lucas barely notices at first while he is hyperfocused on his new book. It is only after Halcomb abruptly backs out of the interview that Lucas starts to notice. He eventually gets freaked enough to want to leave, culminating in a final showdown.
The premise for this book at first really reminded me of the movie Sinister, right down to the prison guard character who is also a fan and agrees to help with Lucas' investigation after Halcomb bails. I love Sinister so that actually drew me into the book. Then the story of Audra joining the cult seemed to take center stage and the spooky stuff backs off. The cult story is tense and actually really good. Halcomb walks that line of seductive and dangerous. You can sympathize with Audra. But then that story gets interrupted by Lucas' story and, until the two plots start bleeding into one another, the transitions are a bit jarring. This is part of the reason why I think print might be the way to go with this book, even though R.C. Bray is awesome. There are also some news stories and police reports included that interrupt the main action and flow of the novel. I found myself sympathizing with Lucas less because his problems seem to be of his own making. There is a lot of stuff in that part of the story about how his workaholic behavior affects his daughter but I think Virginia needed more fleshing out beyond "moody Hot Topic goth teen".
All of the spooky events happen in Lucas' timeline, which feels less developed, so I'd categorize this less as a ghost story than as a cult story with supernatural elements. I was expecting more of a ghost story.
The novel is told in two time lines. In 1983, Audra Snow, a lonely, depressed senator's daughter, is seduced into joining a cult led by the attractive Jeffrey Halcomb. We know from the beginning that this will end tragically for her and the other members of the cult. What we don't know is how and this time line shows us those events.
The second time line features Lucas, a true crime writer struggling to figure out his next big hit while his marriage is crumbling and his daughter, Virginia, is succumbing to teenage angst. He receives a letter from Jeffrey Halcomb in state prison saying that Halcomb will grant him an exclusive interview if Lucas agrees to move into the scene of Halcomb's crime. Lucas agrees and, almost immediately, weird shit ensues. Furniture is stacked and moved, Lucas and Virginia see people moving about outside and in the house and the past seems to bleed into the present. But Lucas barely notices at first while he is hyperfocused on his new book. It is only after Halcomb abruptly backs out of the interview that Lucas starts to notice. He eventually gets freaked enough to want to leave, culminating in a final showdown.
The premise for this book at first really reminded me of the movie Sinister, right down to the prison guard character who is also a fan and agrees to help with Lucas' investigation after Halcomb bails. I love Sinister so that actually drew me into the book. Then the story of Audra joining the cult seemed to take center stage and the spooky stuff backs off. The cult story is tense and actually really good. Halcomb walks that line of seductive and dangerous. You can sympathize with Audra. But then that story gets interrupted by Lucas' story and, until the two plots start bleeding into one another, the transitions are a bit jarring. This is part of the reason why I think print might be the way to go with this book, even though R.C. Bray is awesome. There are also some news stories and police reports included that interrupt the main action and flow of the novel. I found myself sympathizing with Lucas less because his problems seem to be of his own making. There is a lot of stuff in that part of the story about how his workaholic behavior affects his daughter but I think Virginia needed more fleshing out beyond "moody Hot Topic goth teen".
All of the spooky events happen in Lucas' timeline, which feels less developed, so I'd categorize this less as a ghost story than as a cult story with supernatural elements. I was expecting more of a ghost story.