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A review by jade_smith
The Prophets by Robert Jones Jr.
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Firstly, I want to acknowledge that this book occupies an important place in the literary landscape. It tells a story that was important to tell, and I'm glad it's been received with acclaim. I don't doubt that this novel has done a lot of important things for a lot of people -- and I don't wish for my criticism to be taken as a mark that this was a "bad book." It wasn't.
This being said, it didn't quite work for me.
For a novel that is (should have been) character-driven, the ten-odd POV characters lacked distinct voices. There are two types of third person writing: that which comes from inside a character, and that which comes from outside, i.e. from an omniscient narrator. Technically, this book has both, with some chapters from an almost pansophical ancestral chorus. For the most part, however, chapters are from the POV of "The Prophets" vast cast of characters on the Mississipi plantation. The problem is that these characters voices are mostly indistinguishable from each other; every character speaks, thinks, and philosophises in the exact same voice. For me, this made it hard to form an emotional connection with the characters, and left the story feeling unthethered. I think this novel would have benefitted from leaning into the 'external' third person -- this would have allowed Jones to observe and describe in the way he wanted to, without it feeling like the characters coherence suffered.
While at times gorgeous, Robert Jones Jr's prose erred on the side of being overwritten. I will be the first to admit that there were definitely metaphors and references here that went over my head -- I am a white Australian, and Jones has said that he wrote with a black American audience in mind. But, this incongruence doesn't account for the entire novel. I think perhaps this writing style would have worked for me had this been a 150 pg novella, but as it stands, it became exhausting, and worsened the afformentioned probems with character voice.
Plot-wise, this book works. Story-wise, this book works. Conceptually, the characters are excellent. It's just a shame that the prose ultimately lets itself down.
This being said, it didn't quite work for me.
For a novel that is (should have been) character-driven, the ten-odd POV characters lacked distinct voices. There are two types of third person writing: that which comes from inside a character, and that which comes from outside, i.e. from an omniscient narrator. Technically, this book has both, with some chapters from an almost pansophical ancestral chorus. For the most part, however, chapters are from the POV of "The Prophets" vast cast of characters on the Mississipi plantation. The problem is that these characters voices are mostly indistinguishable from each other; every character speaks, thinks, and philosophises in the exact same voice. For me, this made it hard to form an emotional connection with the characters, and left the story feeling unthethered. I think this novel would have benefitted from leaning into the 'external' third person -- this would have allowed Jones to observe and describe in the way he wanted to, without it feeling like the characters coherence suffered.
While at times gorgeous, Robert Jones Jr's prose erred on the side of being overwritten. I will be the first to admit that there were definitely metaphors and references here that went over my head -- I am a white Australian, and Jones has said that he wrote with a black American audience in mind. But, this incongruence doesn't account for the entire novel. I think perhaps this writing style would have worked for me had this been a 150 pg novella, but as it stands, it became exhausting, and worsened the afformentioned probems with character voice.
Plot-wise, this book works. Story-wise, this book works. Conceptually, the characters are excellent. It's just a shame that the prose ultimately lets itself down.
Content Warnings
Graphic: Child death, Confinement, Death, Misogyny, Racial slurs, Racism, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Trafficking, Grief, and Murder
Moderate: Homophobia, Physical abuse, Suicidal thoughts, Suicide, Torture, Blood, Kidnapping, Pregnancy, Colonisation, and Injury/Injury detail
Minor: Transphobia and Vomit