A review by thebookbin
The Spear Cuts Through Water by Simon Jimenez

adventurous challenging mysterious reflective slow-paced

• Plot- or character-driven? Plot
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

Do you ever pick up a book for casual reading, and then get hit directly in the face with the rawness of the human experience? It was just supposed to be a casual read, and now you're contemplating the entirety of the human condition?

The Spear Cuts Through Water is one of the best books I've ever read. It might even be the best. I don't even know right now, I need a minute to collect my thoughts. 

What makes this book so great is not only what it's about, but how it's told. The book is almost epistolary in nature, but instead of written letters, it's framed by stories. You embody the narrator, as he is told grand stories about the Old Country by his sharp-tounged lola. When I say embody, I mean this framing is written in the second person. You are the narrator, and he is the immigrant son of a merchant with nine brothers and a grandjo that never dies. As you grow up, and listen to these stories and sometimes tell them yourself, you are invited to the Inverted Theater in your dreams, a place your lola spoke of so wistfully. A place where stories are told, time is fluid, and the dream-selves from everywhere and everywhen commune. As you sit to watch the tale unfold, the five-day odyssey across the Old Country, you do so in the company of thousands of other dreamers. 

This book is not written in chapters, but is instead separated into the Five Days of the journey, as well as a Before and After section. But because it is also framed as a story being watched on a stage told by spirits, the spirits are a part of the story. When a character dies, usually their spirit will comment on their thoughts in their last moments—sometimes profound, painful, sometimes mundane. But you never really forget this is a story you are watching from the Inverted Theater, even as you become absorbed in the tale. It adds such an ethereal quality to the story, to hear the thoughts of the spirits about their lives as the story goes on... it's unreal. You really start to feel like you are in the Inverted Theater. 

As far as main characters go, I really loved both Jun and Keema, although I will admit Keema was my favorite. Both men are complicated, flawed, even contradictory at times, but oh-so-compelling to read. Their relationship to the world and to each other was so profound to watch unravel. Keema, with his missing arm, branded as a man of poor fortune discriminated against his whole life, is the last of his people. Jun, son of the Prince, has committed untold horrors in the name of the Moon Throne, has had his eyes opened to the error of his ways by the Moon Herself. Together, they must help the escaped empress reclaim Her place in the sky. 

As a staunch believer in populism, I really enjoyed Jimenez's perspective on religion and monarchy. Although this is a fantastical tale, it isn't necessarily religious. It takes the form of the familial stories that get passed down for generations. And yet the criticism is integral to the story. Even the "good" gods are harmful in all their actions. It's critical of power in all it's forms, and I enjoyed this, as most fantasy revolves around installing the "true king" or worshipping the "benevolent god" but Jiminez's narrative is focused on the People as a collective, and their wellbeing, and this I appreciated.

This book is very close to indescribable, and honestly, I could probably keep trying forever. But just know, you should read this book. It is just that fucking good. 

 5/5 holy fuck what did I just read I need a minute to compose myself stars