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A review by martinatan
Sorrowland by Rivers Solomon
adventurous
challenging
dark
emotional
hopeful
informative
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
An incredibly crafted modern gothic story. This blended important topics and radical themes that I have been captivated by for a long time, and to see them captured in a blend of the gothic, speculative fiction, and Afrofuturist genres is absolutely breathtaking. The exploration of queer love and flawed family is a powerful throughline that really shines in a world where the protagonist could easily give in to the sheer despair of a heartless culture.
Some works of media that I felt this story lives in kinship with:
- Beloved by Toni Morrison, for its part-tender, part-visceral prose and handling of generational trauma and haunting
- The art of Firelei Baez and Wangechi Mutu, for their beautiful blend of human and inhuman, exploring symbiotic and antagonistic relationships between humans and the natural world
- Jordan Peele’s film Nope, in that it provides a uniquely Black perspective on the American attraction to spectacle and exploitation, and for the horror/sci-fi elements
- Never Let Me Go by Kazuo Ishiguro, for themes of hindsight and memory of an institution after you’ve escaped it
Of course, this is not to say that Sorrowland borrows too much from other works—on the contrary, it is a masterpiece of its own that will make you think differently not just about our country’s history of medical exploitation of Black people, but also the boundaries between different genres, the capabilities of the body under immense pressure, and our relationship to nature and society.
I would be so excited to analyze this book in a university setting and I hope it can be regarded as a rich and provocative text for a variety of disciplines: Race and Colonialism Studies, Gender and Sexuality, History, Creative Fiction, etc.
Some works of media that I felt this story lives in kinship with:
- Beloved by Toni Morrison, for its part-tender, part-visceral prose and handling of generational trauma and haunting
- The art of Firelei Baez and Wangechi Mutu, for their beautiful blend of human and inhuman, exploring symbiotic and antagonistic relationships between humans and the natural world
- Jordan Peele’s film Nope, in that it provides a uniquely Black perspective on the American attraction to spectacle and exploitation, and for the horror/sci-fi elements
- Never Let Me Go by Kazuo Ishiguro, for themes of hindsight and memory of an institution after you’ve escaped it
Of course, this is not to say that Sorrowland borrows too much from other works—on the contrary, it is a masterpiece of its own that will make you think differently not just about our country’s history of medical exploitation of Black people, but also the boundaries between different genres, the capabilities of the body under immense pressure, and our relationship to nature and society.
I would be so excited to analyze this book in a university setting and I hope it can be regarded as a rich and provocative text for a variety of disciplines: Race and Colonialism Studies, Gender and Sexuality, History, Creative Fiction, etc.
Content Warnings
Graphic: Body horror and Sexual content
Moderate: Adult/minor relationship, Animal death, Death, Genocide, Homophobia, Racism, Self harm, Suicidal thoughts, Terminal illness, Toxic relationship, Violence, Forced institutionalization, Blood, Medical content, Religious bigotry, Medical trauma, Stalking, Death of parent, Schizophrenia/Psychosis , Lesbophobia, and Injury/Injury detail
Minor: Child death, Confinement, Cursing, Emotional abuse, Gore, Gun violence, Hate crime, Grief, Mass/school shootings, Murder, Pregnancy, Fire/Fire injury, Alcohol, and Colonisation