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A review by weaselweader
The Puppet Masters by Robert A. Heinlein
5.0
If your neighbour offers you a back rub - watch out!
No moral messages or satire! Nothing deep, subliminal, fancy, or indirect and hidden! The Puppet Masters is straight-up hard driving sci-fi action thriller based on the simple theme of alien invasion! Given the underlying culture of 1950s USA, the deep-seated American fear and paranoia over the Cold War with Russia and Cuba plus the ongoing bewilderment surrounding alleged UFO sightings and alien abductions, there are few surprises in The Puppet Masters. Despite that, Heinlein succeeds in hooking his readers from the very first page and producing a fast-paced tale that is extremely difficult to put down once you've started. Move over Invasion of the Body Snatchers, War of the Worlds and Day of the Triffids - you've got some exciting new company!
Sam and Mary, operatives for an ultra-covert government intelligence agency run by the Old Man, open the story as they are briefed on the arrival of a flying saucer which we will later learn is from Titan, Saturn's sixth and largest moon. The government, with typical bureaucratic blundering and political maneuvering fails to react to the threat against mankind when it is first recognized - the occupants of the flying saucer are a slug-like parasitic lifeform that steals its human host's body, intelligence and memories by attaching itself to a human's back and reproduces at a frightening rate.
Although Heinlein primarily used plot and action to drive the story to a thrilling climax and a warm-hearted optimistic conclusion, we are given snippets of his visions of technology and life in a 21st century future - non-habit forming drugs capable of dramatically elongating a person's psychological perception of the passage of time; heat guns; flying cars powered by impellers with one model laughably called the "Cadillac Zipper"; stereo-video, high resolution pictures and a multi-channel television entertainment universe (well, he sure got that one right, didn't he?); space travel; and, established colonies on Venus. It's difficult to say whether Heinlein was being unabashedly cynical or taking a stab at black humour when he portrayed the state of marriage as having evolved into a purely contractual arrangement with optional renewal after a specified term and payment of a salary from one party to the other.
One of the most interesting developments in The Puppet Masters is the government's decision to suspend certain civil liberties - the world's population is forced to live and work in the nude as the only way of ensuring a neighbour has not been hi-jacked by one of the "slugs". The alternative is being summarily shot by military or police forces, not to mention roaming vigilante groups. How ironic that something written over fifty years ago should suddenly be so timely! In light of recent events such as Al-Qaeda terrorist bombings, Heinlein's outlandish plot device gives one considerable reason to pause, draw a deep breath and contemplate what rights might be sacrosanct and which ones might be changed or eliminated in the world's efforts against terrorism.
With the exception of overtly sexist dialogue in the style of a hard-nosed Mike Hammer police procedural, nothing else would date this fine story as having been written so long ago. Maybe we can look to Spielberg to work his magic on this one next - the book was terrific and I bet it'd be a hell of a big screen epic too!
Paul Weiss
No moral messages or satire! Nothing deep, subliminal, fancy, or indirect and hidden! The Puppet Masters is straight-up hard driving sci-fi action thriller based on the simple theme of alien invasion! Given the underlying culture of 1950s USA, the deep-seated American fear and paranoia over the Cold War with Russia and Cuba plus the ongoing bewilderment surrounding alleged UFO sightings and alien abductions, there are few surprises in The Puppet Masters. Despite that, Heinlein succeeds in hooking his readers from the very first page and producing a fast-paced tale that is extremely difficult to put down once you've started. Move over Invasion of the Body Snatchers, War of the Worlds and Day of the Triffids - you've got some exciting new company!
Sam and Mary, operatives for an ultra-covert government intelligence agency run by the Old Man, open the story as they are briefed on the arrival of a flying saucer which we will later learn is from Titan, Saturn's sixth and largest moon. The government, with typical bureaucratic blundering and political maneuvering fails to react to the threat against mankind when it is first recognized - the occupants of the flying saucer are a slug-like parasitic lifeform that steals its human host's body, intelligence and memories by attaching itself to a human's back and reproduces at a frightening rate.
Although Heinlein primarily used plot and action to drive the story to a thrilling climax and a warm-hearted optimistic conclusion, we are given snippets of his visions of technology and life in a 21st century future - non-habit forming drugs capable of dramatically elongating a person's psychological perception of the passage of time; heat guns; flying cars powered by impellers with one model laughably called the "Cadillac Zipper"; stereo-video, high resolution pictures and a multi-channel television entertainment universe (well, he sure got that one right, didn't he?); space travel; and, established colonies on Venus. It's difficult to say whether Heinlein was being unabashedly cynical or taking a stab at black humour when he portrayed the state of marriage as having evolved into a purely contractual arrangement with optional renewal after a specified term and payment of a salary from one party to the other.
One of the most interesting developments in The Puppet Masters is the government's decision to suspend certain civil liberties - the world's population is forced to live and work in the nude as the only way of ensuring a neighbour has not been hi-jacked by one of the "slugs". The alternative is being summarily shot by military or police forces, not to mention roaming vigilante groups. How ironic that something written over fifty years ago should suddenly be so timely! In light of recent events such as Al-Qaeda terrorist bombings, Heinlein's outlandish plot device gives one considerable reason to pause, draw a deep breath and contemplate what rights might be sacrosanct and which ones might be changed or eliminated in the world's efforts against terrorism.
With the exception of overtly sexist dialogue in the style of a hard-nosed Mike Hammer police procedural, nothing else would date this fine story as having been written so long ago. Maybe we can look to Spielberg to work his magic on this one next - the book was terrific and I bet it'd be a hell of a big screen epic too!
Paul Weiss