A review by vader
King of Scars by Leigh Bardugo

adventurous challenging dark emotional mysterious tense slow-paced

• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

3.0

I’ll find a way. All his life, Nikolai had believed that. His will had been enough to shape not only his fate but his own identity.

When I first read this book, I was on the fence about giving this book 3 or 4 stars... Because this is a 4-stars novel, but I know that Leigh Bardugo can do much better, so I thought I’d be more strict in this case. I wish I was giving it the 5 stars it should’ve had, though. However, I can't do that in good conscience, because in more than one way this book was a regression to the bad aspects of The Grisha Trilogy, nevermind that if I was updating the review now, in 2020, I'd definitely give it 2.

I’m not going to say that this book was terrible, because it wasn’t. Leigh Bardugo is an incredibly talented author. The prose was great. The book as a whole was great... If you consider it a stand-alone, and turn off your brain.

King of Scars, as we know, presents us three main perspectives: Nina’s, Zoya’s, and Nikolai’s, with a fourth in the second part of the book: that of a new character called Isaak. I will be dividing this review into sections for each character, highlighting my likes and dislikes for each of them.

Nina Zenik

She is the only one that’s had a POV before this book. Incidentally, she’s the one who’s characterization jumped out the most at me, especially in the first half of the book. It was completely out of character, and her arc kept revolving around issues that should've been buried in Crooked Kingdom.

This, plus the fact that almost nothing that happens during her arc is connected to the other POVs makes for an overall confusing portion, the poorest of the novel, that’d have been so much better if Nina hadn’t had a perspective in Six of Crows. She was wildly out of character, in my opinion. But again, that doesn’t mean that everything about her parts were bad. I loved Hanne, one of the newly introduced characters, and I love her chemistry with Nina. I really hope they get together in the second book.

Nikolai Lantsov

I love him. His inner dialogue is one of the wittiest I’ve read, and we can finally see that he’s as sharp on the inside as he is on the outside, despite his insecurities (or maybe because of them). The first half of his story was the easiest, most interesting to read. Learning about his trauma, his struggles, his (literal) inner demon, and how he puts on a smart-ass brave face in spite of everything he has on his plate, plus seeing his wit first-hand, was great. One of my favorite parts of the book, along with Zoya’s, but that’s for later.

The second part, though... I don’t know how much the Grisha Saints are based on Orthodox ones, but I’m not a fan of their storyline. While I’m not entirely familiar with Orthodox tradition, I am (or, well, I was brought up as) Catholic, and unless I’m severely mistaken, there are many similarities in the way Saints are depicted by both. However, the way that they were showed in King of Scars left a lot to be desired, in my honest opinion. Saints are not “edgy” and “inhuman”. Alina was a more accurate representation of the “older” or more primitive versions of Saints than Lizabeta and Grigori were in King of Scars. While the idea of powerful Grisha who helped people in a way that made them be seen as miracle-workers or holy people is alright, them being “beasts” or animals doesn’t follow any traditional lore that I am aware of.

The idea of them being “wickedly evil”, or of someone like the Darkling being considered for Sainthood is not feasible I think, if not for anything else than the facts that he wasn’t a man of faith, he didn’t perform any miracles, he wasn’t a martyr, and he wasn’t particularly heroic or loved by the people, so I don’t see how he could be proclaimed a Saint or get such a large cult following that is not, let’s say, “Satanist” or heretic (to be fair, neither do most of the characters who have at least a pair of working braincells, but I digress). Hell, one of the Darkling’s own nicknames was “the Black Heretic”, so why the U-turn?

I suppose, though, that we could be given an explanation for this last part in the following book, so I’m going to be open about it.

Zoya Nazyalensky

The recruiter for the Grisha army, yes. How unfortunate it is that she spends her time looking to get child soldiers, otherwise, she’d be one of the strongest, as of now most fleshed-out characters Leigh Bardugo has written, on par with Inej Ghafa. Still, her POV was the one I enjoyed the most, her inner dialogue as sharp as her tongue, her story heartbreaking, and her personality as unapologetic but lovable (for those of us not under her glare, at least) as ever. I loved reading about her thoughts, her opinions, her likes and dislikes (though mostly her dislikes), and she’s 100% the type of female character we need more: women who don’t take no shit, but who are still human. Those who are strong but have feelings other than “murder”, that are not defined by what other expect of them, but still bask in the benefits their reputations as "heartless" give them.

The only problem I had with her POV, unrelated to the military recruiting that's been going on since The Grisha Trilogy, one that is extremely easy to fix, is related to her backstory. It’s established that her father was a Suli man, meaning that Zoya is now canonically a biracial woman. This is amazing! The most beautiful, powerful Grisha in all of Ravka (or, dare I say, the Grishaverse) is a woman of color. However, the way that this was established left something to be desired: there was absolutely no indication other than that of her mentioning it that she’s in any way Suli. Compared to Inej, whose culture is shown in absolutely every part of her character, the difference left me a little bit disappointed.

I’d be completely fine with it if she hadn’t known her father, or if she had been taken to the Little Palace when she was too little to remember anything about her family, but she lived 9 years with her parents, and she never makes absolutely any mention of any cultural aspect that she likes or misses about her heritage. This could be done in different ways: a throwaway comment about liking a particular type of Suli food, an art piece that reminds her of Suli art she liked/hated as a kid, a cultural tradition that she still participates in privately, a type of cloth, anything. None of that is there, though, so I was left with the impression that Zoya was whitewashed. Not in the “common” way, of for example a white person playing a black character, but in the characterization sense.

A little bit more on that: when you’re writing characters of color, you have to be careful of many things. To name a few: not falling into stereotypes, making sure colorism has no bearing in the story, not oversimplifying issues faced by people of color, especially if you’re not part of that group, and that you’re not putting a “poc” label on a character that is otherwise white. The last one is in my opinion what has happened with Zoya. This can be avoided (and resolved) easily by including nods towards her culture. An acknowledgment that she’s not a monoracial white Ravkan through anything other than just one comment about how her father was Suli would resolve this issue and give us the most badass WoC in the Grishaverse.

Isaak

As for Isaak, I don’t have a lot to say about him, because overall I think he didn’t need to have a PoV in the story. He wasn’t a character we knew from before, so we didn’t care about him. He's only there to serve a purpose, which could have been shown through the eyes of either Tolya or Tamar, who always followed him around. All in all, his part wasn’t bad, but I didn’t care about it, which could maybe be a problem on itself.

However, and to wrap my longest review yet, I want to say that this isn’t a bad book. The writing is fantastic. The characters, whether I agree with their actions and characterization or not, are fleshed-out and sympathetic. The pacing is great, I read the whole novel in less than two days. While the world was already established in previous books, we got a lot more of depth and information about Ravkan and, mostly, Fjerdan and Shu culture. Bardugo remains one of my favorite writers in the YA and Fantasy genres, but because she is capable of so much, I wanted to give her work a review that reflects what I think of her talent, and of how much more I think she can do as a writer.

"Yet now that the time had come to speak, Nikolai did not want to tell this story. He did not want it to be his story. He’d thought the war was in the past, but it refused to remain there.”