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A review by rzh
Total: Stories by Rebecca Miller
dark
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
thank you to netgalley and canongate for providing me with a free copy of this collection in exchange for an unbiased review.
this collection was a mixed bag to say the least. my initial impressions with the first few stories was not entirely favourable: i feel like they were trying to have the plot and forward motion of a novel as well as the cinematically detailed vignettes of a short story, eventually succeeding in creating neither. the second story, for example, feels like it wanted to launch into a long-form mystery by the second half, but by that point had already set up the slow pace and evocative setting of a short story: though many short stories end abruptly (and often to great effect): this just read like a half-baked novella. in the third story, too, we are introduced to about six characters in the space of a page, which makes me wonder whether this too was ever conceived as, or indeed could be sensibly conceived as, a short story rather than a novel or novella. however, perhaps as a direct result of my initial underwhelmed reaction to the first few stories, the eponymous story of the collection really took my breath away with how great it was: a sort of dystopian sci-fi story that reminded me of ishiguro's never let me go in its subject matter and margaret atwood in its tone. masterfully written and truly haunting.
the remaining few short stories also really worked. they created carver-esque vignettes of the character's lives that felt self-contained and impressively emotionally resonant for their lack of length. getting to the end of these remaining few stories and realising that miller has such talent in story-weaving and prose made me reflect on whether perhaps i just found the characters in the first few stories too annoying. perhaps. in any case, i'm glad i did keep going with this past the first half, because it was worth it.
this collection was a mixed bag to say the least. my initial impressions with the first few stories was not entirely favourable: i feel like they were trying to have the plot and forward motion of a novel as well as the cinematically detailed vignettes of a short story, eventually succeeding in creating neither. the second story, for example, feels like it wanted to launch into a long-form mystery by the second half, but by that point had already set up the slow pace and evocative setting of a short story: though many short stories end abruptly (and often to great effect): this just read like a half-baked novella. in the third story, too, we are introduced to about six characters in the space of a page, which makes me wonder whether this too was ever conceived as, or indeed could be sensibly conceived as, a short story rather than a novel or novella. however, perhaps as a direct result of my initial underwhelmed reaction to the first few stories, the eponymous story of the collection really took my breath away with how great it was: a sort of dystopian sci-fi story that reminded me of ishiguro's never let me go in its subject matter and margaret atwood in its tone. masterfully written and truly haunting.
the remaining few short stories also really worked. they created carver-esque vignettes of the character's lives that felt self-contained and impressively emotionally resonant for their lack of length. getting to the end of these remaining few stories and realising that miller has such talent in story-weaving and prose made me reflect on whether perhaps i just found the characters in the first few stories too annoying. perhaps. in any case, i'm glad i did keep going with this past the first half, because it was worth it.
Graphic: Child death, Rape, and Sexual assault
Moderate: Death, Drug use, Forced institutionalization, Medical content, and Pregnancy