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A review by absolutive
The Pull of the Stars by Emma Donoghue
adventurous
dark
emotional
informative
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.5
This novel, set in a maternity/fever ward in Dublin in 1918, did not pull me in right away. I twice started it and had trouble focusing. But on the third try I found it riveting, reading it in two days. The novel is set over the course of three days and follows Nurse Julia Power as she cares for pregnant women with the Great Influenza. Each day she improvises, saves lives and is powerless to stop death, using her knowledge and experience and kindness in an utterly overwhelmed and devastated health system. Also in the novel is the real life activist and doctor Kathleen Lynn whose own mastery in politics and medicine rise above Nurse Power, but who is also powerless at times, both in the hospital and against the police; the young, exploited and utterly effective, competent and sympathetic Bridie Sweeney; the whole system of Catholic control over morality, women's bodies, and the babies of poor and unwed mothers; the women on the ward, who along with Nurse Power, Bridie and Dr. Lynn form a small community, constrained by War, Pandemic, British Imperialism and cruel Catholic morality, living, caring and dying together.
The novel not only explores the stories of people often left untold--poor women in Dublin, children of the unwed, for example--but also queer stories in an unusual and highly effective way. No one would call this a queer novel, I think, but by the end of the novel one must say that it is the story of four queer people living in Dublin when people didn't talk openly about this. This realisation occurs slowly and it's implicit, it's something the novel is lightly building towards but which does not emerge on the ward, hidden from view, like these lives themselves, but which, like the hidden stars, pulls the narrative forward.
The novel not only explores the stories of people often left untold--poor women in Dublin, children of the unwed, for example--but also queer stories in an unusual and highly effective way. No one would call this a queer novel, I think, but by the end of the novel one must say that it is the story of four queer people living in Dublin when people didn't talk openly about this. This realisation occurs slowly and it's implicit, it's something the novel is lightly building towards but which does not emerge on the ward, hidden from view, like these lives themselves, but which, like the hidden stars, pulls the narrative forward.
Content Warnings
Graphic: Child death, Death, Blood, Excrement, Vomit, Medical content, Religious bigotry, and Pregnancy