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A review by jkneebone
Gwen and Art Are Not in Love by Lex Croucher
adventurous
lighthearted
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Gwen and Art Are Not in Love takes place in a sort of alternate-history, King Arthur-inspired England. In this world, Arthur and co. are distant, maybe-mythological figures who still heavily influence the political landscape of England - the country is ruled by Catholics, but there is also a faction of cultists who believe that King Arthur was a real person who will eventually return to rule again.
Against this backdrop, we have the story of Gwen (the princess) and Arthur (a lord's son who is descended from/named for the legendary king himself), who have been betrothed since they were children. There's just one problem: they absolutely hate each other. Although they haven't seen each other since they were children, when Gwen tricked Arthur into breaking his arm, this is the summer they are finally going to be married. So Arthur and his manservant/best friend/bodyguard Sidney arrive in Camelot, glad to be away from Arthur's controlling father and ready to wreak havoc.
Although our POV characters are Gwen and Art, we also get a lot of screen time from Gabe, Gwen's bookish older brother who is the reluctant heir to the throne; Bridget, the only female knight in the country, who Gwen is fascinated by; the aforementioned Sidney; and Agnes, Gwen's lady-in-waiting. The impetus of the plot is that, after Gwen and Art discover that they both aren't interested in marrying someone of the opposite gender, they decide to pretend to be infatuated with each other to get everyone else off of their scents. Although at first they are still putting up with each other, they eventually become friends, while also growing their romantic relationships with other characters.
One thing I really enjoyed about Gwen and Are Are Not in Love was how it felt fresh and modern, but also semi-believably historic. Croucher clearly put some thought into the King Arthur-obsessed alternate historical background, and it paid off. The characters were diverse in terms of race, sexuality, and even neurodivergence, but not in a way that felt like putting modern diagnoses or terms into a setting where they didn't belong. (Maybe it's just my reading, but I definitely got neurodiverse vibes from most of the main characters, haha.) The dynamics between all of the different characters were equally lovely - Gwen and Gabe's sweet sibling relationship, Gwen and Art's reluctant friendship, Sidney being so ride-or-die for Arthur, and of course the romantic relationships as well - and I loved how they all became a group working together by the end. I also liked the backstory/subplot of unrest between the Catholics and the cultists, and Gabe's preparation for becoming the next king of England.
For me, this is only a 3.5 star read rather than a 4 star read because of the tone shift at the end.Although I didn't really mind the suddenly raised stakes of the battle, I wish that Gwen had been given more of an opportunity to shine w/r/t strategy and kingdom management, which I thought was where things were headed. And even though part of me liked the ending, I did feel it was a little too happily-ever-after - even in this alternate history, I thought Gabe announcing all of their relationships was pushing credulity. I would have liked it better if they'd come up with some kind of plan to let them fly under the radar for longer. However, I do think it is a super fun read. It's not actually a fantasy, but it has more fantasy than historical fiction vibes; I think the feel is modern enough that even readers who aren't usually into those genres might be persuaded to give it a go.
In terms of language (none/extremely minimal) and sexual content (on page kissing and extremely brief allusions to more) this is totally high school appropriate. I'd hesitate to hand it to a younger reader because Arthur and Sidney are drunk a lot in the first half-ish of the book. Obviously this is a situation where the characters are teenagers, but adults in the world of the story, so it's not underage as such; it's also made pretty clear by the other characters' reactions - and even Arthur's own self reflection - that he knows his drinking is a problem.He even decides to stop at the end of the book, although it's fairly glossed over. That being said, it felt excessive and uncomfortable to me as an adult reader, because it was clearly unhealthy, but I wouldn't want this to be a younger reader's first introduction to how teenagers should or do interact with alcohol.
Against this backdrop, we have the story of Gwen (the princess) and Arthur (a lord's son who is descended from/named for the legendary king himself), who have been betrothed since they were children. There's just one problem: they absolutely hate each other. Although they haven't seen each other since they were children, when Gwen tricked Arthur into breaking his arm, this is the summer they are finally going to be married. So Arthur and his manservant/best friend/bodyguard Sidney arrive in Camelot, glad to be away from Arthur's controlling father and ready to wreak havoc.
Although our POV characters are Gwen and Art, we also get a lot of screen time from Gabe, Gwen's bookish older brother who is the reluctant heir to the throne; Bridget, the only female knight in the country, who Gwen is fascinated by; the aforementioned Sidney; and Agnes, Gwen's lady-in-waiting. The impetus of the plot is that, after Gwen and Art discover that they both aren't interested in marrying someone of the opposite gender, they decide to pretend to be infatuated with each other to get everyone else off of their scents. Although at first they are still putting up with each other, they eventually become friends, while also growing their romantic relationships with other characters.
One thing I really enjoyed about Gwen and Are Are Not in Love was how it felt fresh and modern, but also semi-believably historic. Croucher clearly put some thought into the King Arthur-obsessed alternate historical background, and it paid off. The characters were diverse in terms of race, sexuality, and even neurodivergence, but not in a way that felt like putting modern diagnoses or terms into a setting where they didn't belong. (Maybe it's just my reading, but I definitely got neurodiverse vibes from most of the main characters, haha.) The dynamics between all of the different characters were equally lovely - Gwen and Gabe's sweet sibling relationship, Gwen and Art's reluctant friendship, Sidney being so ride-or-die for Arthur, and of course the romantic relationships as well - and I loved how they all became a group working together by the end. I also liked the backstory/subplot of unrest between the Catholics and the cultists, and Gabe's preparation for becoming the next king of England.
For me, this is only a 3.5 star read rather than a 4 star read because of the tone shift at the end.
In terms of language (none/extremely minimal) and sexual content (on page kissing and extremely brief allusions to more) this is totally high school appropriate. I'd hesitate to hand it to a younger reader because Arthur and Sidney are drunk a lot in the first half-ish of the book. Obviously this is a situation where the characters are teenagers, but adults in the world of the story, so it's not underage as such; it's also made pretty clear by the other characters' reactions - and even Arthur's own self reflection - that he knows his drinking is a problem.
Graphic: Addiction, Alcoholism, Physical abuse, Death of parent, Alcohol, and Injury/Injury detail
Moderate: Emotional abuse and Homophobia