A review by liedora
Trial of Intentions by Peter Orullian

5.0

Yes, this is the second instalment in the Vault of Heaven Trilogy, and yes I have read the first book although I did not review it on here. Unfortunately though, for this book, it is not a standalone read and therefore the first must be read to make any sense of this one.

The main protagonists are many in both books, and their stories continue in this one; we see them grow from the children we first met in The Unremembered to adults that are still connected to their inner children at times. I usually go into great detail about my likes and dislikes of characters in the books I read, but with this cast of characters I felt the mixed emotions one has when confronted with Family and all the imperfections they bring with them. At times I just wanted to shake some sense into them and ask ‘why? Just why?’ and at others I was in my full cheerleading garb, pom-poms and all doing high kicks to spur them on. One thing I did find disappointing was the forced humour in the dialogue, this had come so easily in the first book as it does between friends, but in this one it seemed as if they were just trying to keep the humour going at all costs. I am hoping that this stilted humour is more a result of the events the characters have been through up to the end of this novel, and not an indication that the Author has lost his humourous pen. Rather than just continue expanding on characters from the first novel, the Author brings new ones into the storyline, and some that were introduced in Book One become integral to the storyline in this novel.

Unlike Book One, Trial of Intentions is up and moving from the very first chapter; the reader has moments where the pace slows down enough for them to calm their racing pulses before picking up and propelling them through to the very end of the book. Something I was pleased to find in this second instalment that was present in the first was a musical quality that accompanies the writing of this Author; in gentle areas easy listening folk music is brought to mind in the way the language is placed on the page and I found myself reading everything rather than skipping the ‘song’ sections as I do in Lord of The Rings or The Hobbit; even when the action really picked up it was as if somewhere just out of view there was a rock guitarist playing some riff to accompany the action. Whereas Clockwork Angels by Kevin J Anderson was music (an album of the same name by Rush) to words, this is a book that could be translated from words to music.

All of the major plotlines end on a cliff-hanger that leaves the reader waiting with baited breath for the final book in this trilogy, hopefully it won’t be as long as the wait has being for The Doors of Stone, book three of The Kingkiller Chronicle. Despite the cliff-hanger endings, unlike so many books that finish in this manner, this one does not leave the reader feeling that the book is unfinished and that the Author decided they’d had enough and sent it off to the publisher as is.

I highly recommend both this book, and the first in the trilogy, for those who love to read this genre. It was expansive, it was epic and it was rich with hidden things that come out when the novel was reread (I have to say I am on my fourth reading of this book). Like an onion with its layers, this second instalment added a depth and richness to the world in which it takes place, and I hope that the Author continues in this way in Book Three. I will definitely be waiting to read the next novel by this Author.