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A review by surfmadpig
The Illusion of Separateness by Simon Van Booy
2.0
The more I think about this book the less I like it. It's got a mix of good and bad qualities but the more thought I give it, the more angry with it I get - that's a bad sign. It feels as if I was cheated out of a very good book, which it could have been but certainly isn't.
Without any prior knowledge of the book or the author, I picked it up excitedly as it is one of this summer's Brave New Reads and I'd just read the brilliant [b:Signs Preceding the End of the World|21535546|Signs Preceding the End of the World|Yuri Herrera|https://d.gr-assets.com/books/1398195367s/21535546.jpg|15089950], from the same selection. Looking back, I should have taken the hints offered by the uninspired cover art and quote from the Daily Telegraph. No, the book is by no means "complex" as the reviewer claims.
The author is ambitious - that's admirable. But he has managed to take a good premise for a story and a great idea for the structure and make it into a predictable and uninspired novel, and that's unfortunate. The writing can be interesting at times but the author is trying too hard and takes every little opportunity to provide a quote that aims to be profound - sometimes they are, but more often they're not.
The premise is interesting and interconnected stories and a good-natured, humanistic viewpoint are certainly my cup of tea. But I'm still annoyed. Let's see if a good quote changes things:
- I'm not even sure this makes sense, but I like it.
However, this book is very gimmicky, and the trick it's trying to pull off has been performed way better by many others. It's also rather patronising and has some infuriating inconsistencies.
So a great writer? No. A smart writer, who knows a few tricks to please the masses and is either ballsy or ignorant enough to do so in a very obvious, superficial way.
These things annoyed me:
Random name-dropping of god/God. Yes. Although belief in god isn't shown to drive or help these characters on any level or make any difference in the reality of the novel. The author thought he'd add these mentions in what seems like an afterthought or a half-baked idea that was never truly realised. Why? Is he just trying to please everyone, like a brand making sure that no social media service is left unspammed by its supposedly witty PR? I think so. Ugh.
Another afterthought and major plot hole: the Holocaust. Van Booy seems to be trying to cram in everything that anyone would want to hear about WWII: But Martin was found in 1944 in a burning house in the Nazi-occupied French countryside, his mother's corpse charred outside after some planes dropped bombs on it. So how can he be Jewish? OK, perhaps he CAN be - but his immediate family wasn't in the Holocaust, as it's implied at the start of the book. So why is it implied?
Typecasting much? The character who turns out to have been a Nazi had an abusive father - as if if he didn't, he would have had a choice to not join them growing up in Germany (spoiler: no). He also keeps saying that he had been part of the "hated" although the novel shows no evidence of him receiving this hate - I'm not saying he wouldn't have known about it, but wouldn't you elaborate more if it's so important?
And finally, one more sign of sheer lack of common sense: In France, 1944, an old tree is supposed to still have uniforms and weapons from Napoleon's army in its hollow. As if, in the 100 years+ since they could have gone undiscovered. Just because we want to connect the past with the present - good intentions badly executed.
I think I'll blame the editor, these things they are supposed to pick up on.
Without any prior knowledge of the book or the author, I picked it up excitedly as it is one of this summer's Brave New Reads and I'd just read the brilliant [b:Signs Preceding the End of the World|21535546|Signs Preceding the End of the World|Yuri Herrera|https://d.gr-assets.com/books/1398195367s/21535546.jpg|15089950], from the same selection. Looking back, I should have taken the hints offered by the uninspired cover art and quote from the Daily Telegraph. No, the book is by no means "complex" as the reviewer claims.
The author is ambitious - that's admirable. But he has managed to take a good premise for a story and a great idea for the structure and make it into a predictable and uninspired novel, and that's unfortunate. The writing can be interesting at times but the author is trying too hard and takes every little opportunity to provide a quote that aims to be profound - sometimes they are, but more often they're not.
The premise is interesting and interconnected stories and a good-natured, humanistic viewpoint are certainly my cup of tea. But I'm still annoyed. Let's see if a good quote changes things:
"When the moon came out, she exhaled a final breath and the most insignificant part of her slipped away with grace."
- I'm not even sure this makes sense, but I like it.
However, this book is very gimmicky, and the trick it's trying to pull off has been performed way better by many others. It's also rather patronising and has some infuriating inconsistencies.
So a great writer? No. A smart writer, who knows a few tricks to please the masses and is either ballsy or ignorant enough to do so in a very obvious, superficial way.
These things annoyed me:
Spoiler
Random name-dropping of god/God. Yes. Although belief in god isn't shown to drive or help these characters on any level or make any difference in the reality of the novel. The author thought he'd add these mentions in what seems like an afterthought or a half-baked idea that was never truly realised. Why? Is he just trying to please everyone, like a brand making sure that no social media service is left unspammed by its supposedly witty PR? I think so. Ugh.
Another afterthought and major plot hole: the Holocaust. Van Booy seems to be trying to cram in everything that anyone would want to hear about WWII: But Martin was found in 1944 in a burning house in the Nazi-occupied French countryside, his mother's corpse charred outside after some planes dropped bombs on it. So how can he be Jewish? OK, perhaps he CAN be - but his immediate family wasn't in the Holocaust, as it's implied at the start of the book. So why is it implied?
Typecasting much? The character who turns out to have been a Nazi had an abusive father - as if if he didn't, he would have had a choice to not join them growing up in Germany (spoiler: no). He also keeps saying that he had been part of the "hated" although the novel shows no evidence of him receiving this hate - I'm not saying he wouldn't have known about it, but wouldn't you elaborate more if it's so important?
And finally, one more sign of sheer lack of common sense: In France, 1944, an old tree is supposed to still have uniforms and weapons from Napoleon's army in its hollow. As if, in the 100 years+ since they could have gone undiscovered. Just because we want to connect the past with the present - good intentions badly executed.
I think I'll blame the editor, these things they are supposed to pick up on.