A review by oddduck
Little Thieves by Margaret Owen

dark emotional funny hopeful mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I like stories that are assembled with the precision of a watchmaker. Every detail matters. Each tiny piece works together to move forward. If one thing is even slightly off, the story doesn’t work the way it should.

This is one of those stories.

500 pages is getting to be on the long side for me, so I was expecting a little bit of drag. There was none. Every single scene in this book is there for a reason and 500 pages practically flies by. Yet it also didn’t feel like we were moving too fast at any point.

The plot came at just the right pace and with just the right amount of detail that it all came together perfectly in my head, without me figuring out the end too soon/easily and without me feeling frustrated because I didn’t have enough information until the very last second. I figured out part of Adalbrecht’s plan shortly before Vanja and Emeric did, which was ideal timing for me. And everything I hadn’t figured out fell into place as it was spelled out. This plot was like a carefully conducted symphony and it went off without a hitch.

I also loved all the characters, even when some of them weren’t particularly likeable. There’s such a clear motive for their actions that though I may not agree with them, I understand and feel sympathetic for them (except Adalbrecht and Irmgard, they’re both just terrible – that’s a compliment though). They were all so beautifully written, but Vanja and Emeric were the standouts for me.

Vanja’s character arc was incredible. I, admittedly, have a soft spot for characters who have been so hurt they think the only way to protect themselves is to close themselves off and harden their heart, and Vanja is no exception. I love this type of character because it’s moving to see them learn to love and be loved again (even if they’re dragged into it kicking and screaming, like Vanja). The way she grows over the course of the story - going from hating/resenting Emeric, Ragne, and Gisele to calling them her friends and making peace with her past and wanting Emeric to catch her - is brilliantly done. It feels natural and inevitable.

I fell for Emeric in exactly the way Vanja did (er, that is his façade, not the kissing part). It was absolutely delightful to find out how wrong my impression of him was. Like, I actually laughed out loud at the reveal and I’m gleeful just thinking about it. I liked the façade, but the real Emeric was even better. He’s smart and flawed and eager to prove himself and he cares so deeply. He’s just such a great character and Vanja’s many descriptions of him are both correct and hilarious.

There’s also the obligatory shout out for the art, which was done by Margaret Owen as well. She’s talked about a lot of the symbolism and composition of each piece on her twitter, and it’s definitely worth a read through. The art on its own is beautiful, but her explanations of it make it even better.

There is so much else to talk about in the book - the structure, the fairy tale, the casual queer rep, the demi rep (!), the magic system, the rest of the world building, the creatures (Poldi!) - and it’s all so, so good. Honestly, I loved every single thing about this book and I could talk about it for hours. The highest praise I can give it is this: I want to take this book apart like it’s a clock to see how it works. What an absolutely phenomenal book.
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