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A review by ribbenkast
How to Kill Your Family by Bella Mackie
challenging
dark
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
This book was really a mixed bag of things that the author did really well and things that went, not so great. If you like Killing Eve and simmilar media this might be a good book for you.
I picked this book up because I couldn't enter a single bookstore here in The Netherlands without this book being on full display front and center (probably because it recently got translated), to that I say it's a bit over-hyped. Given that it's Bella Mackie's first novel I am excited to see how her skills are going to devellop in the future.
I have a lot to say about this book so here we go :)
I want to start off with the things that where great about this book. It's not easy to write a book in a non-chronological timeline, and yet Bella Mackie has pulled that of greatly. The pacing of this book is great, there's never a dull moment. Furthermore, I really like the writing style and the character's voice, every sentence was pure gold. The murders were creative and it was fun watching the plan and the excution (ha!) unfold.
But, the book lost me a bit in the middle. I still struggle to find the writer's intent. The main character Grace, to me at least, is not a likable girlboss anti-hero she was set up to be (by the marketing of this book). Whilst continueing to read, I found her to be a spoiled brat, uninteresting, fake deep and a raging hypocrite and I kind off had to stop rooting for her. It's still unclear to me if this was the author's intent for this character. Are we supposed to root for her and did Bella Mackie fail to make a likable character? Or are we supposed to dislike Grace too? In that case Mackie did an excellent job.
Grace's "feminist" opinions display an incredible lack of intersectionality. All of this could and would be fine, unreliable narrotors you're supposed to disagree with exist for a reason. However, given the paralles between Grace and the author in real live, I fear that some of these opions are not meant as a way to show how self-centered Grace really is. Rather, Mackie seems to use Grace as a mouth piece for her own (white) feminist views. This doesn't work on two levels: 1. The narrator is unreliable, any opion voiced by such a narrator is immeditatly subject to further questioning and 2. The opions are just not good, white feminism. TO BE CLEAR: I'm hoping I misjudged Mackie's character here and that all of these bad opinions are just to display how Grace is not a good person, let alone a feminst, while she pretents to be one. Unfortunatly, the opinions are not insane enough and could've and probably have been published in a Vogue or Vice article. (Publications Mackie writes for)
Either way, this book is a excellent satire of white feminsm and human entitlement. It's unclear to me if the writer is in on the joke herself.
Beyond the midway point though, you can tell that Grace is supposed to be insane and go off the deep end a little. This is where the book picks up the pace again. If you halfway through want to give up on this book (I know I did, but I'm stubborn) don't. If you made it that far, it's worth it to read on.
The (twist) ending was, just like the rest of the book a bit of a mixed bag. The ending was fitting, it wrapped up the story nicely and it could've worked really well. My only problem with it, is that it came out of nowhere. An ending like that could've (should've) been forshadowed in many places earlier in the book. Moments a reader can look back on and go: Ah, now that makes sense! Mackie seemed to have forgotten to go back after her first manuscript to do that which made the ending feel very tacked on. Shame, because other than that, it was a great twist. I liked that Grace's distand attitude, and dismissal of other people's intelect collapsed in on itself. Truly what she deserverd
This book was fun. Pick it up if you want a thriller-comedy and want to be entertained for a few hours.
I picked this book up because I couldn't enter a single bookstore here in The Netherlands without this book being on full display front and center (probably because it recently got translated), to that I say it's a bit over-hyped. Given that it's Bella Mackie's first novel I am excited to see how her skills are going to devellop in the future.
I have a lot to say about this book so here we go :)
I want to start off with the things that where great about this book. It's not easy to write a book in a non-chronological timeline, and yet Bella Mackie has pulled that of greatly. The pacing of this book is great, there's never a dull moment. Furthermore, I really like the writing style and the character's voice, every sentence was pure gold. The murders were creative and it was fun watching the plan and the excution (ha!) unfold.
But, the book lost me a bit in the middle. I still struggle to find the writer's intent. The main character Grace, to me at least, is not a likable girlboss anti-hero she was set up to be (by the marketing of this book). Whilst continueing to read, I found her to be a spoiled brat, uninteresting, fake deep and a raging hypocrite and I kind off had to stop rooting for her. It's still unclear to me if this was the author's intent for this character. Are we supposed to root for her and did Bella Mackie fail to make a likable character? Or are we supposed to dislike Grace too? In that case Mackie did an excellent job.
Grace's "feminist" opinions display an incredible lack of intersectionality. All of this could and would be fine, unreliable narrotors you're supposed to disagree with exist for a reason. However, given the paralles between Grace and the author in real live, I fear that some of these opions are not meant as a way to show how self-centered Grace really is. Rather, Mackie seems to use Grace as a mouth piece for her own (white) feminist views. This doesn't work on two levels: 1. The narrator is unreliable, any opion voiced by such a narrator is immeditatly subject to further questioning and 2. The opions are just not good, white feminism. TO BE CLEAR: I'm hoping I misjudged Mackie's character here and that all of these bad opinions are just to display how Grace is not a good person, let alone a feminst, while she pretents to be one. Unfortunatly, the opinions are not insane enough and could've and probably have been published in a Vogue or Vice article. (Publications Mackie writes for)
Either way, this book is a excellent satire of white feminsm and human entitlement. It's unclear to me if the writer is in on the joke herself.
Beyond the midway point though, you can tell that Grace is supposed to be insane and go off the deep end a little. This is where the book picks up the pace again. If you halfway through want to give up on this book (I know I did, but I'm stubborn) don't. If you made it that far, it's worth it to read on.
The (twist) ending was, just like the rest of the book a bit of a mixed bag. The ending was fitting, it wrapped up the story nicely and it could've worked really well. My only problem with it, is that it came out of nowhere. An ending like that could've (should've) been forshadowed in many places earlier in the book. Moments a reader can look back on and go: Ah, now that makes sense! Mackie seemed to have forgotten to go back after her first manuscript to do that which made the ending feel very tacked on. Shame, because other than that, it was a great twist.
This book was fun. Pick it up if you want a thriller-comedy and want to be entertained for a few hours.
Content Warnings
Graphic: Death, Infidelity, Misogyny, Torture, Violence, Forced institutionalization, Death of parent, Murder, Alcohol, and Classism
Moderate: Ableism, Body shaming, Cursing, Drug use, Emotional abuse, Infidelity, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Grief, Stalking, and Car accident