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A review by darwin8u
One Fearful Yellow Eye by John D. MacDonald
3.0
"A man will let his money be taken only when the alternative is something he cannot endure."
- John D. MacDonald, One Fearful Yellow Eye
McGee does Chicago. I liked it, but didn't love it. Sometimes MacDonald takes McGee away from Florida and it seems to almost work, but I still think I prefer McGee on a boat to McGee in Chicago, in the snow. As a favor to an old flame, McGee goes to Chicago because her ex-husband's estate has been emptied and the relatives all think she did it. McGee looks into the hows and whys of the money disappearing. McGee's views (and I'd presume to a bit MacDonald's) on homosexuals and Blacks appear in this novel and they are nearly there, but only reach the uncanny valley of sensitivity towards other groups:
"I'm always skeptical of the male who makes a big public deal about how he hates fairies, how they turn his stomach, how he'd like to beat the hell out of them. The queens are certainly distasteful, but the average homosexual in the visual and performing arts is usually a human being a little bit brighter and more perceptive than most."
I have to remind myself that this was published in 1966. He is growing. Language like that was seen as progressive in the 60s, in certain circles. Hell, language like that might sound progressive in Texas, Idaho, or Arizona in certain circles now. I seem to always find areas where MacDonald nearly writes a perfect novel, but a couple things just block it for me. He is one of those writers I keep coming back from and keep ending up just a bit frustrated (and not just because I keep wanting to enroll him in sensitivty training classes). His books have the potential for real genius and the more I read the more I see this potential. Individually, however, this book doesn't get close.
- John D. MacDonald, One Fearful Yellow Eye
McGee does Chicago. I liked it, but didn't love it. Sometimes MacDonald takes McGee away from Florida and it seems to almost work, but I still think I prefer McGee on a boat to McGee in Chicago, in the snow. As a favor to an old flame, McGee goes to Chicago because her ex-husband's estate has been emptied and the relatives all think she did it. McGee looks into the hows and whys of the money disappearing. McGee's views (and I'd presume to a bit MacDonald's) on homosexuals and Blacks appear in this novel and they are nearly there, but only reach the uncanny valley of sensitivity towards other groups:
"I'm always skeptical of the male who makes a big public deal about how he hates fairies, how they turn his stomach, how he'd like to beat the hell out of them. The queens are certainly distasteful, but the average homosexual in the visual and performing arts is usually a human being a little bit brighter and more perceptive than most."
I have to remind myself that this was published in 1966. He is growing. Language like that was seen as progressive in the 60s, in certain circles. Hell, language like that might sound progressive in Texas, Idaho, or Arizona in certain circles now. I seem to always find areas where MacDonald nearly writes a perfect novel, but a couple things just block it for me. He is one of those writers I keep coming back from and keep ending up just a bit frustrated (and not just because I keep wanting to enroll him in sensitivty training classes). His books have the potential for real genius and the more I read the more I see this potential. Individually, however, this book doesn't get close.