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A review by malin12ccf
The Witches of Vardø by Anya Bergman
dark
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
In 1662, a former mistress of the king of Denmark-Norway (Norway was a Danish colony for about 400 years, for those not big into their history trivia), Anna Rhodius is sent into exile to a fortress in Vardø in the very north of Norway. She convinces herself that she has been sent there to help root out witchcraft, and if she does a good job, she will be welcomed back by the king with open arms.
Zigri is the young widow of a fisherman, who lost both her husband and only son to the sea. For a time, her grief seems to make her insensible to everything, even her two daughters, but after she catches the eye of the son of the wealthy local merchant, not only does her family have enough to eat, but she seems a lot more cheerful. A beautiful woman having an affair with a much richer, married man rarely has a happy ending, however, and once his wife discovers the affair, Zigri finds herself accused of witchcraft and is sent to the fortress in Vardø.
Zigri's teenage daughter Ingeborg and her cousin Maren (whose own mother was tried and killed for witchcraft) band together to go to Vardø to attempt to rescue Zigri, aided by a local Sami tribe.
This was my fantasy/sci-fi bookclub's book selection for May, and I had read about a third of the book when we had our monthly meeting. In recent years, it feels like about half the time, I go to my book club meetings to see if I actually want to bother putting in the effort to finish the book. That was certainly the case here.
We get multiple points of view in this story. The sections with Anna Rhodius are first-person perspective, with her writing journal-like letters to the King of Denmark. The sections about Zigri, Ingeborg, and Maren are all in third person. There was a lot of potential here because the actual history of the witch trials in the North of Norway is fascinating, but this book did not deliver. There is a lot of tell, not show, and a lot of the plot is slow and plodding until it suddenly goes too fast. It reads like a debut novel, but some research shows that while Anya Bergman hasn't published anything else, she also writes under the name Noëlle Harrison, who has written at least ten other novels and four plays, according to her website. She's also the co-founder of a writers' retreat. In other words, she should be better than the author of this book is at crafting a story.
In the end, I took the advice of several others in the book club and skipped more than half of what was left of the book, reading the final few chapters. The ending is over the top and several things happen that don't seem to make a lot of sense. There are some very baffling choices made, and one of the things that's frustrating about the book is whether magic is in fact real in this universe. The author seems to suggest that yes, some women actually have magical powers, while also suggesting that it's all superstition and all these women were arrested, tortured, persecuted, and executed for no good reason.
It makes me sad that this book was so underwhelming since one of the things I studied a lot as part of my history degree was social history in the Middle Ages, the witch trials in the UK (and in other parts of Europe) as part of it. This book could have been so much better. I can't really recommend it. Slewfoot was a much better book about witch hunts.
Judging a book by its cover: The orange flames and the blue lynx are both very striking, and the patterns remind me of woodcuts or old tapestry embroidery patterns.
Zigri is the young widow of a fisherman, who lost both her husband and only son to the sea. For a time, her grief seems to make her insensible to everything, even her two daughters, but after she catches the eye of the son of the wealthy local merchant, not only does her family have enough to eat, but she seems a lot more cheerful. A beautiful woman having an affair with a much richer, married man rarely has a happy ending, however, and once his wife discovers the affair, Zigri finds herself accused of witchcraft and is sent to the fortress in Vardø.
Zigri's teenage daughter Ingeborg and her cousin Maren (whose own mother was tried and killed for witchcraft) band together to go to Vardø to attempt to rescue Zigri, aided by a local Sami tribe.
This was my fantasy/sci-fi bookclub's book selection for May, and I had read about a third of the book when we had our monthly meeting. In recent years, it feels like about half the time, I go to my book club meetings to see if I actually want to bother putting in the effort to finish the book. That was certainly the case here.
We get multiple points of view in this story. The sections with Anna Rhodius are first-person perspective, with her writing journal-like letters to the King of Denmark. The sections about Zigri, Ingeborg, and Maren are all in third person. There was a lot of potential here because the actual history of the witch trials in the North of Norway is fascinating, but this book did not deliver. There is a lot of tell, not show, and a lot of the plot is slow and plodding until it suddenly goes too fast. It reads like a debut novel, but some research shows that while Anya Bergman hasn't published anything else, she also writes under the name Noëlle Harrison, who has written at least ten other novels and four plays, according to her website. She's also the co-founder of a writers' retreat. In other words, she should be better than the author of this book is at crafting a story.
In the end, I took the advice of several others in the book club and skipped more than half of what was left of the book, reading the final few chapters. The ending is over the top and several things happen that don't seem to make a lot of sense. There are some very baffling choices made, and one of the things that's frustrating about the book is whether magic is in fact real in this universe. The author seems to suggest that yes, some women actually have magical powers, while also suggesting that it's all superstition and all these women were arrested, tortured, persecuted, and executed for no good reason.
It makes me sad that this book was so underwhelming since one of the things I studied a lot as part of my history degree was social history in the Middle Ages, the witch trials in the UK (and in other parts of Europe) as part of it. This book could have been so much better. I can't really recommend it. Slewfoot was a much better book about witch hunts.
Judging a book by its cover: The orange flames and the blue lynx are both very striking, and the patterns remind me of woodcuts or old tapestry embroidery patterns.