A review by vigil
House of Hollow, by Krystal Sutherland

adventurous dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.5

what a simmering disappointment. to get the positives out of the way, the atmosphere of the book is crafted masterfully. the descriptions are lush and the writing style is clear and concise while still being beautiful to read. the character work was mostly okay (except in iris, and a bit in vivi who i'll get to later) and i think grey hollow is the shining example of that. she is easily the smartest, cruelest, and most interesting character in the book, and balances it out by being incredibly compassionate, and protective of her loved ones, her sisters. for the first 200+ pages this book had me.

once
Spoilerthey entered the halfway place
my interest began to wane. tyler, who is so unremarkable i forgot to include him in the list of bad character work, is trapped in an evil horrid body horror filled place with iris, who has no discernible personality. i did not care about them individually and i definitely didn't care about them together. everything about this portion of the book is so repetitive that any of its earlier unnerving atmosphere immediately dissipates from how often your told how unnerving it is. 

iris hollow is a shell of a character and waste of a protagonist. she has no character traits aside from being the victim in everything somehow, having her only friend be her mother, and she's not like other girls (namely her sisters, and the popular girls). she has a dissonant picture of morality, especially her own that does not line up with her actions. she chooses (along with vivi, who is barely a character as well) to condemn her elder sister grey for her actions that she a). went along with, b) actively chose to forget about in order to ignore her own culpability, c) continuously benefits from, even as the book ends. i bring this up because for a large portion of the book it had allowed space for ambiguity, power, and for girls to be unlikable, inaccessible, and the like without condemning them. which why i thought the black and white thinking on display was a waste for a book like this. especially when the main character is either culpable, or actively benefiting from the things grey has done.  tossing aside your most interesting character like this was not a narrative choice that i enjoyed nor one that enriched the book imo. where's her introspection about that, or
Spoilerhow her not acting and allowing a TEN YEAR OLD to defend her instead of getting off her ass led to her death.
  it makes the oddest choices on when to gloss over something and when to nail it down, usually in the most nonsensical ways. 

it has representation, if you could even call it that. iris is bisexual, and vivi is a lesbian. there is no romantic plot for really any of the sisters, yet
Spoileriris manages to makeout with her missing-possibly dead sister's boyfriend
while vivi gets??? nothing??? the only hint we get at iris liking girls aside from a hamfisted mention of it in the narrative is a
Spoilermention of a spin the bottle game played in the past, which leads to a kiss which it almost immediately portrayed in negative light, with a girl who later becomes one of her tormentors.


all in all, this book fell off hard for me towards the end. the plot twist was ultimately unsatisfying in its execution and easily predictable. i'm more disappointed by this one than other ones, because it had excellent potential, especially for the first 200 pages. everything after that after that is just a waste. i think my largest complaint is that sutherland set up a plot that is not fully suited to the genre that it’s in (YA) and would have been a better richer the narrative as an adult or even new adult book.
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