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A review by reflectiverambling_nalana
The Buried and the Bound by Rochelle Hassan
adventurous
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Have you ever picked up a book and been absolutely delighted not necessarily because of the book itself, but because you know that it is going to be THE story for someone? One that feels gloriously nostalgic rather than cliche despite not having encountered it before? "The Buried and the Bound" dragged me right back to the day when a teenage me discovered Holy Black's "Tithe" during its first publication round and the doors that it opened up as to what the face of fantasy could look like.
Now of course, the world of magic and fantasy is now notoriously almost over saturated with gritty urban and contemporary settings. What this story accomplished that so many of those that have tackled the intended vibe that the other book was hooking into have fallen short or stale to me is that it brought back the passion of , the concern behind, ferocity.
At first blush Aziza might seem like just another brash I'll take on the world alone and kick butt doing it heroine that has flooded the market. Maybe Tris comes off as the cliche outcast. What this captures is that each of these characters are relentless. They are relentless because of how very much they care. Found and blood family do not have to be separate. They do not have to negate or trump. They don't have to dissolve into petty or hormone fueled reaction alone.
This book also does something that I've only seen writers more like Seanan Maguire achieve. It does not use magic as a trope, a hook, of sorts. It doesn't cash in on the 'sexy monster of the year' choice. It brings in a variety of mythical sources, has them exist together, and displays the variety of the beautiful and the terrifying with all its shades in between.
There are open ends. Another skill I appreciated, however, was that it didn't feel like a catch to try to secure further publications. I would have been satisfied if this was a stand alone. Sometimes the potential for adventure is better than any happily ever after.
This wasn't a perfect novel. It wasn't entirely original if you will. But a book doesn't HAVE to be absolutely unique. It simply has to treat its elements with care and deliver an experience that brings something to the genre - a new combination, a way of expressing an idea, an interesting framing. I know deep down that this is going to set some young reader on the same path I was once upon a time. For them, I am delighted.
Now of course, the world of magic and fantasy is now notoriously almost over saturated with gritty urban and contemporary settings. What this story accomplished that so many of those that have tackled the intended vibe that the other book was hooking into have fallen short or stale to me is that it brought back the passion of , the concern behind, ferocity.
At first blush Aziza might seem like just another brash I'll take on the world alone and kick butt doing it heroine that has flooded the market. Maybe Tris comes off as the cliche outcast. What this captures is that each of these characters are relentless. They are relentless because of how very much they care. Found and blood family do not have to be separate. They do not have to negate or trump. They don't have to dissolve into petty or hormone fueled reaction alone.
This book also does something that I've only seen writers more like Seanan Maguire achieve. It does not use magic as a trope, a hook, of sorts. It doesn't cash in on the 'sexy monster of the year' choice. It brings in a variety of mythical sources, has them exist together, and displays the variety of the beautiful and the terrifying with all its shades in between.
There are open ends. Another skill I appreciated, however, was that it didn't feel like a catch to try to secure further publications. I would have been satisfied if this was a stand alone. Sometimes the potential for adventure is better than any happily ever after.
This wasn't a perfect novel. It wasn't entirely original if you will. But a book doesn't HAVE to be absolutely unique. It simply has to treat its elements with care and deliver an experience that brings something to the genre - a new combination, a way of expressing an idea, an interesting framing. I know deep down that this is going to set some young reader on the same path I was once upon a time. For them, I am delighted.
Moderate: Death, Toxic relationship, Violence, Blood, Death of parent, and Abandonment
Minor: Self harm, Slavery, Suicidal thoughts, and Grief