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A review by seshat59
The Ape Who Guards the Balance by Elizabeth Peters
5.0
Six stars.
I love this book. Rereading it was like a homecoming of sorts, and I savored every page. Ape is either in my top two or absolute top spot of favorite Amelia Peabody novels.
For one, it was my first. I read it at the tender, impressionable age of twelve and fell head over heels.
Secondly, the friendship trio of Ramses, Nefret, and David is just... perfection. I don’t think they’re ever together again with the same dynamic again, and I love them. Nefret and Ramses have really grown since Seeing a Large Cat, and Nefret is an equal member of the young Emersons partnership. Nefret has really come into herself in this novel. I enjoyed her, and it’s easy to think of Ramses as older than his nineteen years. I also really enjoyed Nefret not accepting any of Amelia’s B.S.
Furthermore, Manuscript H and the new Letter Collection B are far more numerous and freshen up the story. I love how all three narratives are so unique. Amelia has a very clear style; Ramses’s narration is completely his own, and now Nefret’s letters have a distinct voice as well. It’s also fun seeing all the characters from these various perspectives.
Egyptologically, the Emersons witness the discovery of one of the most blundered and mysterious tombs, KV55. Its enigmas still intrigue scholars today, and I have very strong opinions about this mummy’s identity, an identity that continues to divide the Egyptologist community, with one prominent member supporting the much dumber theory...
Back on track: this novel’s mystery/adventure is just phenomenal too. The “children” take the lead and drive the narrative while Amelia initially thinks the seaon to be uncharacteristically dull and crime-less.
Minor spoiler here, but in this edition, Amelia and a few others come face to face with their own deep-seated prejudices, and it’s high time for that reckoning.
And Sethos is, finally, back. Sethos always makes for a great Amelia Peabody novel.
All of the above combine, revitalizing this the ninth book in the series, freshening it up, and setting it up for the next two books, in publication order-wise. I think another thing that sets it apart is that — while it’s still humorous, this novel is not a parody of a specific cliched narrative — even though Amelia tries her best to assert the presence of a murder cult. It’s different, and while I loved the tropes, I love this book and the books that immediately follow it even more (well, if one can truly love Falcon). It’s a masterful novel with all of my favorite characters in this beloved series, and I can’t rhapsodize about it enough.
And since this is a reread marathon of sorts, I’m left with the decision of whether to read some of the later published books next that were written later to fill in “missing years,” or should I go in publication order? If you’re new to Amelia books, always read in publication order. The filler “chronological” books aren’t as good, but I’m willing to be adventurous, I think. Maybe I would revise my view of those books, if I did? Decisions, decisions.
Some favorite quotes:
“‘Do shut up, Nefret, there is Mother. She can hear a word like “murder” a mile away.’”
“The figure that stood in the door was not that of an enemy. It was worse. It was his mother.”
“‘[The children] were quite anxious about you, my dear. I admit it is difficult to tell with Ramses, but he blinked quite a lot.’”
I love this book. Rereading it was like a homecoming of sorts, and I savored every page. Ape is either in my top two or absolute top spot of favorite Amelia Peabody novels.
For one, it was my first. I read it at the tender, impressionable age of twelve and fell head over heels.
Secondly, the friendship trio of Ramses, Nefret, and David is just... perfection. I don’t think they’re ever together again with the same dynamic again, and I love them. Nefret and Ramses have really grown since Seeing a Large Cat, and Nefret is an equal member of the young Emersons partnership. Nefret has really come into herself in this novel. I enjoyed her, and it’s easy to think of Ramses as older than his nineteen years. I also really enjoyed Nefret not accepting any of Amelia’s B.S.
Furthermore, Manuscript H and the new Letter Collection B are far more numerous and freshen up the story. I love how all three narratives are so unique. Amelia has a very clear style; Ramses’s narration is completely his own, and now Nefret’s letters have a distinct voice as well. It’s also fun seeing all the characters from these various perspectives.
Egyptologically, the Emersons witness the discovery of one of the most blundered and mysterious tombs, KV55. Its enigmas still intrigue scholars today, and I have very strong opinions about this mummy’s identity, an identity that continues to divide the Egyptologist community, with one prominent member supporting the much dumber theory...
Back on track: this novel’s mystery/adventure is just phenomenal too. The “children” take the lead and drive the narrative while Amelia initially thinks the seaon to be uncharacteristically dull and crime-less.
Minor spoiler here, but in this edition, Amelia and a few others come face to face with their own deep-seated prejudices, and it’s high time for that reckoning.
And Sethos is, finally, back. Sethos always makes for a great Amelia Peabody novel.
All of the above combine, revitalizing this the ninth book in the series, freshening it up, and setting it up for the next two books, in publication order-wise. I think another thing that sets it apart is that — while it’s still humorous, this novel is not a parody of a specific cliched narrative — even though Amelia tries her best to assert the presence of a murder cult. It’s different, and while I loved the tropes, I love this book and the books that immediately follow it even more (well, if one can truly love Falcon). It’s a masterful novel with all of my favorite characters in this beloved series, and I can’t rhapsodize about it enough.
And since this is a reread marathon of sorts, I’m left with the decision of whether to read some of the later published books next that were written later to fill in “missing years,” or should I go in publication order? If you’re new to Amelia books, always read in publication order. The filler “chronological” books aren’t as good, but I’m willing to be adventurous, I think. Maybe I would revise my view of those books, if I did? Decisions, decisions.
Some favorite quotes:
“‘Do shut up, Nefret, there is Mother. She can hear a word like “murder” a mile away.’”
“The figure that stood in the door was not that of an enemy. It was worse. It was his mother.”
“‘[The children] were quite anxious about you, my dear. I admit it is difficult to tell with Ramses, but he blinked quite a lot.’”