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A review by chloj_
The Silence of the Girls by Pat Barker
challenging
emotional
inspiring
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
review:
first things first: i love a greek mythology retelling, and this did not disappoint. however, this is something a lot more than simply a mythology retelling. this is such an amazing reflection of womanhood. barker does such a beautiful job of relaying the female experience, with all it’s varying emotions and complexities. depictions of war are typically male dominated; blood, gore and war is so often synonymous for masculinity. while her portrayal of masculinity is complex and very well-written (particularly that of achilles), the raw vulnerability of the story’s women is breathtaking to behold. it was powerful, incredibly moving, and truly (in my opinion) a modern masterpiece.
!!spoilers ahead!!
!!spoilers ahead!!
- ‘his idea of female beauty was a woman so fat if you slapped her backside in the morning she'd still be jiggling when you got back home for dinner.’ damn me too
- ‘she could’ve been kind to me and she wasn’t; she could’ve helped me find my feet and she didn’t.’
- ‘when i got to the door i paused with my hand on the latch and looked back, but she’d already turned away’
- the main character’s relationship with femininity is so cleverly written- both her relationship with other women, and with her own femaleness
- ‘but the dying man, his face wiped clean of pain, cradled his spilling intestines as gently as a mother nurses her newborn child.’
- ‘“it’ll be alright,” i said, knowing it wouldn’t.’
- ‘he fucked as quickly as he killed, and for me it was the same thing. something in me died that night.’
- the emotions in this book are soooo beautiful done
- ‘the bed was cold.’ this one sentence is so incredibly powerful
- ‘no girl ever dressed more carefully for her wedding than achilles for the battlefield’
- ‘as long as i lived and remembered, [my brothers] weren’t really dead.’
- the relationship between briseis and iphis is SO special- it is born entirely from shared tragedy and the kindness only women can share with each other.
- that depiction of wasteland at the end of 46/start of 47 is SUCH a beautiful depiction of the waste of female beauty (both physical and mental) at the hands of men
- ‘the world began to close in around me, and i realised that the songs belonged to my brothers and not me’
- ‘i always remember that she wept for me when i couldn’t weep for myself’
- the list format of the people Achilles killed / how they died is SO good- it really displays how the repeated trauma and war has made tragedy something clinical.
- ‘before leaving, he always bent down and kissed him in the mouth, though the lips had darkened and begun to retract.’
- ‘Why him? Why not me? He asks the questions over and over, as if one day they might have a different answer, and the burden of guilt be lifted at last.’
- achilles grief is written so beautifully
- ‘and i do what countless women before me had been forced to. i spread my legs for the man who killed my husband and brothers.’
- ‘now my own story can begin’
Graphic: Death, Emotional abuse, Gore, Misogyny, Physical abuse, Rape, Slavery, Violence, Blood, Grief, Medical trauma, and War
Moderate: Body shaming, Cursing, Fatphobia, Pedophilia, and Alcohol