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A review by cwiita
Lapvona by Ottessa Moshfegh
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Well, after marking My Year Of Rest and Relaxation as my only DNF ever, I managed to make it through this one. I purchased this book before I started MYORAR, before I had any idea how much I would struggle with Otessa Moshfegh. I find her to be a difficult read, not for lack of skill or quality, but for the simple fact that she seems to have an ongoing problem with fatphobia and ableism, among other things. I discussed my initial problems with MYORAR with a friend who has read most of Moshfegh's work, and the consensus was that her stories relay very similar views each time and that her characters tend to be the same type of people across the board. I am a big fan of unreliable narrators and I appreciate the challenge of crafting a story around difficult characters, but to do it unrelentingly in every book while consistently implying hateful messages is tough for me to get behind.
With that being said, I blew through Lapvona. This book is absolutely vile, but incredibly readable when it comes to pacing and language. It was also much easier to tolerate the actions and views of the characters knowing that the events were taking place under a feudal system in medieval times. Moshfegh did a wonderful job of characterization, for better or for worse. The plot is somehow both ceaseless and unrecognizable. It's an infinite circle of pointless suffering, but maybe that's the point. In an uncanny way, there was something enjoyable about this read. Since I already own MYORAR, this piece almost convinced me to give it another try. Almost.
With that being said, I blew through Lapvona. This book is absolutely vile, but incredibly readable when it comes to pacing and language. It was also much easier to tolerate the actions and views of the characters knowing that the events were taking place under a feudal system in medieval times. Moshfegh did a wonderful job of characterization, for better or for worse. The plot is somehow both ceaseless and unrecognizable. It's an infinite circle of pointless suffering, but maybe that's the point. In an uncanny way, there was something enjoyable about this read. Since I already own MYORAR, this piece almost convinced me to give it another try. Almost.
Content Warnings
Moderate: Ableism, Adult/minor relationship, Animal death, Body shaming, Child abuse, Child death, Cursing, Death, Drug use, Emotional abuse, Mental illness, Misogyny, Pedophilia, Physical abuse, Rape, Self harm, Sexual assault, Sexual content, Violence, Blood, Excrement, Vomit, Grief, Cannibalism, Abortion, Pregnancy, Fire/Fire injury, Abandonment, Alcohol, Injury/Injury detail, and Classism