A review by settingshadow
Persepolis 2: The Story of a Return, by Marjane Satrapi
4.0
Satrapi's strength is the ability to write a book that is about her life that is meaningful in the context of the historic events occurring in Iran during her lifetime, but also about her inner narrative. There's a contrast between the parts that are nearly unimaginable for the average American -- a co-worker who is beaten by the police for a misinterpreted cartoon, worrying about holding hands, two men beaten for driving in a car together, inability to show one's hair and so forth -- and the feelings that are universal: the desire for belonging, fear of isolation and a spectrum of normal teenage emotions.
I found the parts set in Vienna less interesting -- I think the compelling nature of the narrative derives in part from Sartapi's self-insight either at the time or in retrospect, and while in Vienna it mostly feels like she wasn't herself. There's a detachment and a lack of emotionality that drives the parts of the narrative set in Iran. Additionally, the strongest parts of the book were when Sartapi had conflict between her mother, father and grandmother -- these relatives are so close to her and so fundamental to her being that the conflicts had a clear tension. Without these supporting characters in the narrative the stakes seemed much lower.
Satrapi's black and white illustrations are stark and sometimes simplistic, which I think allows the underlying narrative to shine through, although I frequently had trouble distinguishing between characters, especially men.
I found the parts set in Vienna less interesting -- I think the compelling nature of the narrative derives in part from Sartapi's self-insight either at the time or in retrospect, and while in Vienna it mostly feels like she wasn't herself. There's a detachment and a lack of emotionality that drives the parts of the narrative set in Iran. Additionally, the strongest parts of the book were when Sartapi had conflict between her mother, father and grandmother -- these relatives are so close to her and so fundamental to her being that the conflicts had a clear tension. Without these supporting characters in the narrative the stakes seemed much lower.
Satrapi's black and white illustrations are stark and sometimes simplistic, which I think allows the underlying narrative to shine through, although I frequently had trouble distinguishing between characters, especially men.