A review by nathansnook
Collected Plays One by Alfian Sa'at

emotional funny lighthearted reflective fast-paced

3.0

๐˜›๐˜ฉ๐˜ฆ ๐˜–๐˜ฑ๐˜ต๐˜ช๐˜ค ๐˜›๐˜ณ๐˜ช๐˜ญ๐˜ฐ๐˜จ๐˜บ: A strong collage of plays that speaks to the ethos of Saโ€™atโ€™s investigations into the human condition. He plays with the unconventional, disregarding expectations and surprising us with the vulnerabilities of his characters.

๐˜๐˜ถ๐˜จ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ๐˜ด + ๐˜๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด๐˜ช๐˜ค๐˜ฌ: Centering around the displacement of what it means to be Singaporean, to be an expat in the confines of a country raptured in a love/hate relationship. People snap. Emotions bend. The soul is elastic, but is anything fixed? Saโ€™at is honest about his feelings about Singapore as he tackles what it means to be a citizen here.ย 

๐˜ด๐˜ฆ๐˜น.๐˜ท๐˜ช๐˜ฐ๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ.๐˜ฃ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฅ.๐˜จ๐˜ฐ๐˜ณ๐˜ฆ: The most experimental out of the bunch with a killer robot, Japanese soldiers, and trannies. All feed into the playful nature Saโ€™at writes in, but the weakest out of the bunch as the themes donโ€™t coverage into anything particular. Everything feels scattered and tackles the idea of Singapore from outside of the square without really tackling anything at all. If anything, Scene 5 is the strongest as it leads into ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฆ๐˜ฅ ๐˜—๐˜ญ๐˜ข๐˜บ๐˜ด 2 with much ease.ย