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A review by cassie7e
The Cabin at the End of the World by Paul Tremblay
dark
sad
slow-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
2.5
3 stars (Rating might be higher if I was a regular horror/slasher fan)
I very much prefer psychological or gothic thrillers to the pure horror genre, and didn't quite know what I was getting into with this one. On top of that, this book is one massive example of the Trolley Problem, except that it's unclear if the consequences are real. The book does a great job of lending credibility to both possibilities and favoring neither. But gives hs absolutely no reason why the predicament exists in the first place or why the solutions would solve it. Felt very shallow and I didn't really care what happened to the characters besides Wen. The ending was not very satisfying to me and normally I don't mind open endings. Perhaps all this is why I didn't find all the violence and threats compelling. But also pleasant to read a story with normalized queer rep.
I strongly disliked Amy Landon's narration performance. Dialogue sounded stilted and over-voiced, over-serious, over-monotonous. Some of this was her struggling to do male voices, but some of this was a strange tone used for the whole text. This is not a book to listen to on audio for this reason.
I very much prefer psychological or gothic thrillers to the pure horror genre, and didn't quite know what I was getting into with this one. On top of that, this book is one massive example of the Trolley Problem, except that it's unclear if the consequences are real. The book does a great job of lending credibility to both possibilities and favoring neither. But gives hs absolutely no reason why the predicament exists in the first place or why the solutions would solve it. Felt very shallow and I didn't really care what happened to the characters besides Wen. The ending was not very satisfying to me and normally I don't mind open endings. Perhaps all this is why I didn't find all the violence and threats compelling. But also pleasant to read a story with normalized queer rep.
I strongly disliked Amy Landon's narration performance. Dialogue sounded stilted and over-voiced, over-serious, over-monotonous. Some of this was her struggling to do male voices, but some of this was a strange tone used for the whole text. This is not a book to listen to on audio for this reason.
Content Warnings
Graphic: Child death, Death, Gore, Gun violence, Violence, Blood, Grief, Murder, and Injury/Injury detail
Moderate: Hate crime, Homophobia, and Suicidal thoughts
Minor: Torture and Pandemic/Epidemic