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A review by emtees
Mask of Shadows by Linsey Miller
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I think I would have enjoyed this book more if the premise hadn’t been so interesting that I ended up having higher expectations than were really fair, but that’s what happened. Mask of Shadows is the story of Sal, a thief who joins a competition to appoint the newest assassin in service to the Queen. It is literally a fight to the death - the candidates are expected to kill each other until they’ve winnowed the group down to just three, with very few rules about how they can do it. So the stakes literally couldn’t be higher for Sal, who has their own reason for wanting to become an assassin that they aren’t sharing.
This book did have a lot of strengths. The world is very interesting, and the hints at the history behind the ascension of Our Queen Marianna da Ignasi to the throne are fascinating. This is a world that doesn’t seem to have magic, but only a generation ago it did, and it is populated by former sorcerers covered with magical runes and haunted by the memory of dark, destructive magic. We don’t see very much of this - other than one brief venture, the entire story takes place within the walls of the palace where the competition is happening - but the hints were enough to make me interested. The Assassins - called the Left Hand, made up of Ruby, Emerald, Amethyst and Opal - were also fascinating. These are trained killers who gave up their public identities to become known only by their code names, and who never remove their distinctive masks except when alone together. The competition is brutal - Linsey Miller doesn’t skimp on the violence of this world - and there are a lot of twists and turns in the plot to keep it moving quickly. (Sometimes too quickly - an entire subplot is introduce and disposed of in the last few chapters.)
The problem, for me, was the character of Sal. A thief from a rough area who joins the competition for reasons that are only made clear later, despite not being a killer, Sal never really came into focus for me as a character. Writing a complex but sympathetic character who is going to murder a whole bunch of people in the course of the story is difficult, and I don’t think Miller really pulled it off with Sal. They feel more like a conglomeration of fantasy tropes than a person. They have a tragic backstory which becomes more tragic the more we learn about it. They have a secret history. They aren’t who they seem. They want vengeance. They can’t trust anyone, but they clearly want to. They are extremely skilled, despite some of these skills not really being explained. Worse, they start out the story having never killed anyone, and by the end they have killed several people, and I have no idea how they feel about it. Sal’s feelings on the subject of being an assassin are extremely vague and seem to change from chapter to chapter. This was too important of an aspect of their character to miss and unfortunately Miller did.
There are some aspects of Sal I did like, though. For one, they are genderqueer - they have a fluid gender identity, at different points identifying as male, female or nonbinary - and the scenes devoted to Sal explaining their gender identity to others were really well done. (I admit I was a little confused that Sal wanted people to use pronouns associated with however they were dressed on a particular day, because I don’t understand what “non-gendered dress” looks like in this world, but that’s a minor quibble.). I especially liked the scene where they explained their gender identity to the Left Hand and the assassins immediately understood and accepted it. In general this appears to be a world that is pretty open to all forms of queerness, which was neat. Sal also came alive as a character in their relationships with others: Maud, the servant assigned to them for the duration of the competition, who becomes a friend and ally, and especially Elise de Farone, the love interest. Sal and Elise’s relationship was like a rom-com inserted into this otherwise grim world and I loved every minute of it.
There was enough in this book to make me want to read the sequel, but I doubt I will pick this one up again.
This book did have a lot of strengths. The world is very interesting, and the hints at the history behind the ascension of Our Queen Marianna da Ignasi to the throne are fascinating. This is a world that doesn’t seem to have magic, but only a generation ago it did, and it is populated by former sorcerers covered with magical runes and haunted by the memory of dark, destructive magic. We don’t see very much of this - other than one brief venture, the entire story takes place within the walls of the palace where the competition is happening - but the hints were enough to make me interested. The Assassins - called the Left Hand, made up of Ruby, Emerald, Amethyst and Opal - were also fascinating. These are trained killers who gave up their public identities to become known only by their code names, and who never remove their distinctive masks except when alone together. The competition is brutal - Linsey Miller doesn’t skimp on the violence of this world - and there are a lot of twists and turns in the plot to keep it moving quickly. (Sometimes too quickly - an entire subplot is introduce and disposed of in the last few chapters.)
The problem, for me, was the character of Sal. A thief from a rough area who joins the competition for reasons that are only made clear later, despite not being a killer, Sal never really came into focus for me as a character. Writing a complex but sympathetic character who is going to murder a whole bunch of people in the course of the story is difficult, and I don’t think Miller really pulled it off with Sal. They feel more like a conglomeration of fantasy tropes than a person. They have a tragic backstory which becomes more tragic the more we learn about it. They have a secret history. They aren’t who they seem. They want vengeance. They can’t trust anyone, but they clearly want to. They are extremely skilled, despite some of these skills not really being explained. Worse, they start out the story having never killed anyone, and by the end they have killed several people, and I have no idea how they feel about it. Sal’s feelings on the subject of being an assassin are extremely vague and seem to change from chapter to chapter. This was too important of an aspect of their character to miss and unfortunately Miller did.
There are some aspects of Sal I did like, though. For one, they are genderqueer - they have a fluid gender identity, at different points identifying as male, female or nonbinary - and the scenes devoted to Sal explaining their gender identity to others were really well done. (I admit I was a little confused that Sal wanted people to use pronouns associated with however they were dressed on a particular day, because I don’t understand what “non-gendered dress” looks like in this world, but that’s a minor quibble.). I especially liked the scene where they explained their gender identity to the Left Hand and the assassins immediately understood and accepted it. In general this appears to be a world that is pretty open to all forms of queerness, which was neat. Sal also came alive as a character in their relationships with others: Maud, the servant assigned to them for the duration of the competition, who becomes a friend and ally, and especially Elise de Farone, the love interest. Sal and Elise’s relationship was like a rom-com inserted into this otherwise grim world and I loved every minute of it.
There was enough in this book to make me want to read the sequel, but I doubt I will pick this one up again.
Content Warnings
Graphic: Body horror and Violence
Moderate: Death of parent and War
Minor: Transphobia
There are several scenes of graphic violence and body horror; there are a few minor instances of antagonists not respecting the MCs gender identity but they are always corrected.