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A review by mari1532
Our Share of Night by Mariana Enríquez
challenging
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
I listened to this book through my library with Libby.
Brief Summary: Juan is trying to figure out a plan to raise his son, Gaspar while keeping him safe from his in-laws in the wake of his wife, Rosario's, mysterious death. As Juan tries to keep Gaspar from the family's secret society, he farther into its clutches. However, as Gaspar ages, he begins to realize that his family history is far more dangerous than he could have imagined.
Thoughts: Enríquez is an exceptional writer. The way that this book is so long and has so many different subplots, but there is not a single loose end at the conclusion of the book is truly a triumph. Each of the characters in this book feels like a real person and the personalities and motivations of each produce a strong reaction from the reader. Overall I did not like many of the characters in this book, but I think that how Enríquez wrote each of them, may have been the point. In the world created in this book, people are complicated, and not necessarily meant to be liked.
My favourite character in the book was Rosario. She was at once entirely relatable being at once loving and dastardly. Her story arch throughout the book was truly what kept me reading even though she was a character in the background of the story, Rosario is very much central to the the plot. I also appreciated how Enríquez allowed Rosario to be her own person and did not let her love for Juan subsume Rosario's whole personality.
I do not have a lot of experience reading books in the horror genre, but I can safely say that I will continue to read it as long as Enríquez continues to write. I highly recommend this book.
Brief Summary: Juan is trying to figure out a plan to raise his son, Gaspar while keeping him safe from his in-laws in the wake of his wife, Rosario's, mysterious death. As Juan tries to keep Gaspar from the family's secret society, he farther into its clutches. However, as Gaspar ages, he begins to realize that his family history is far more dangerous than he could have imagined.
Thoughts: Enríquez is an exceptional writer. The way that this book is so long and has so many different subplots, but there is not a single loose end at the conclusion of the book is truly a triumph. Each of the characters in this book feels like a real person and the personalities and motivations of each produce a strong reaction from the reader. Overall I did not like many of the characters in this book, but I think that how Enríquez wrote each of them, may have been the point. In the world created in this book, people are complicated, and not necessarily meant to be liked.
My favourite character in the book was Rosario. She was at once entirely relatable being at once loving and dastardly. Her story arch throughout the book was truly what kept me reading even though she was a character in the background of the story, Rosario is very much central to the the plot. I also appreciated how Enríquez allowed Rosario to be her own person and did not let her love for Juan subsume Rosario's whole personality.
I do not have a lot of experience reading books in the horror genre, but I can safely say that I will continue to read it as long as Enríquez continues to write. I highly recommend this book.
Graphic: Animal death, Body horror, Bullying, Child abuse, Child death, Chronic illness, Confinement, Cursing, Death, Emotional abuse, Gore, Homophobia, Infidelity, Mental illness, Panic attacks/disorders, Physical abuse, Racism, Self harm, Sexual content, Terminal illness, Torture, Toxic relationship, Violence, Forced institutionalization, Blood, Medical content, Grief, Medical trauma, Car accident, Suicide attempt, Death of parent, Murder, Pregnancy, Gaslighting, Toxic friendship, Alcohol, Colonisation, Injury/Injury detail, and Classism