A review by bluejayreads
Godsgrave by Jay Kristoff

adventurous dark
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5

This is a very different sort of book than what I’ve been reading lately. Most of my recent reads are deep and intense and full of Themes and Meaningful Motifs and are About Important Things – even Sir Terry Pratchett’s books have depth and insight between the witty quips – but this book has none of those. No depths, no themes, just a girl who goes rogue from her assassin church to pursue her own revenge and the people she kills along the way. It’s a piece of mindless fluff for people who like their fluff to be unstoppably violent. 

That’s not to say it’s entirely simplistic. The plot does have a few twists and new revelations, but they’re mainly towards the end. This story is about blood – in the metaphorical sense with Mia trying to avenge her family, but also in the very literal sense. People are injured and die in bloody, gory ways, and usually because Mia got a blade or two into them. 

Mia herself is getting more interesting as a character. Her single-minded dedication to murdering her family’s killers is starting to get in the way at times, and she has to make choices between the revenge she’s been working towards and the friends she’s starting to make. Plus she’s picked up a new unexpected ally who turns out to be a little bit more. Also, she’s female, small, and pretty, so no one expects her to be a good fighter, but she is very very good at violence, and I absolutely adore the trope of the underestimated person being The Best. Every single time Mia was in the arena was a bloody, violent treat. 

This book is most definitely not perfect. There’s an unnecessary sex scene at the beginning (and a few more slightly less unnecessary but still unenjoyable sex scenes later on). Either I misread something or there’s a glaring plot hole in the climax (I was reading this as an audiobook at work, so it’s very possible I just misread something). Just like book one, it was very overwritten, but I didn’t mind nearly as much as an audiobook – the “bard telling about past events” idea works better narrated than read, I think. The world is a bit of a mess, with a few cool details (a city carved out of the bones of a dead giant, a world with three suns so it’s almost never night, people like Mia who can work with shadows) and the majority of the world painted with broad brushstrokes of jarringly different flavors – Ancient Greek predominated in this book because of the gladiator thing, but I also got some hints of Spanish and Arthurian England too. And of course, there are absolutely over-the-top gratuitous levels of violence. This series is hands-down the most violent thing I’ve ever read. 

But it was very easy to catch up on the gist of what happened previously (a good thing since I read book one over a year ago), the characters are nuanced enough, and the plot kept me interested. This is not a book you’re supposed to think a lot about. Like I said, it’s fluff for people who prefer their fluff to be bloody and violent. I did enjoy it, and I’ll probably read book three – sometimes it’s nice to read a book that’s just enjoyable and doesn’t ask you to think too much. 
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