A review by arifel
If This Goes On by Judy Helfrich, Chris Kluwe, Aimee Ogden, Zandra Renwick, E. Lily Yu, Cyd Athens, Hal Y. Zhang, Jack Lothian, Jamie Lackey, Priya Sridhar, Beth Dawkins, Rachel Chimits, Nisi Shawl, Nick Mamatas, Sylvia Spruck Wrigley, James Wood, Sarah Pinsker, Langley Hyde, Gregory Jeffers, Andy Duncan, Paul Crenshaw, Marie Vibbert, Kitty-Lydia Dye, Conor Powers-Smith, Steven Barnes, Calie Voorhis, Cat Rambo, Lynette Mejía, Kathy Schilbach, Tiffany E. Wilson, Scott Edelman

4.0

This collection, kickstarted last year by the small Parvus Press, sets itself an interesting goal: encompassing the sense of disaster and impending doom that current political and environmental factors evoke (mainly focused on the USA) while also incorporating notes of hope. The result is slightly uneven, as some stories contain little more than a grimly extrapolated premise, but others do shine. Of these, it was the stories with a feeling of historical weight to them which really grabbed me. "Mr. Percy's Shortcut", by Andy Duncan, recounts the tale of an Appalachian miner - one of the few in his version of the future who hasn't switched to data mining - who spends his life digging through a mountain in order to reach the other side. It's a story of almost nonsensical triumph, but it feels "lived in" and the speculative elements are compelling but understated. On the much grimmer side, the stories "A Gardener's Guide to the Apocalypse" and "Free Wifi" present very different testimonials which we have reason to suspect would never be canonically read - the former, by Lynette Mejia, is a diary charting a year in the life of a gardener recording the growth around her despite the destruction which has taken all but her and her partner; the latter, by Marie L. Vibbert, a story of young rebellion in a corporatised world which is crushed in actuality but not in spirit. Both have strong character voices, underscored by the modes of telling, which really underscore the premises and stop them from being too grim despite the subject matter.

Some other gems in here include "Welcome to Gray", by Cyd Athens, a superhero origin story with notes of Henrietta Lacks and a great subversive take on representing dialect, and E. Lily Yu's story, "Green Glass: A Love Story", a no-expense-spared romance in very late capitalism which manages to keep the protagonist's wish - to have real ice cream served at her wedding - naively sympathetic, without flinching from showing the widespread destruction and misery which surrounds those without the means to keep themselves insulated. All in all, this is a neat little collection despite its ups and downs, and while it's very tied to the political moment, if you're interested in on-the-pulse speculative fiction this is one to consider.