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A review by fionamclary
An Island Princess Starts a Scandal by Adriana Herrera
emotional
funny
hopeful
inspiring
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Ultimately a bit of a let-down due to how effusively I'd heard it recommended, but okay enough for me to want to see it through. I think it just wasn't the book for me.
Things I didn't like:
-The pacing. It was horribly uneven, with the first third of the book dragging and several aspects/scenes happening off-page. This includes Cora's character growth at the end, making the reunion somewhat dubious, and all but the first of Manuela and Cora's outings, which could have given us a chance to see their relationship developing more deeply beyond their attraction to each other.
-The instalove/instalust. It's something I often struggle with as a demisexual, but I know some of that is down to personal preference.
-Typos, errors, and fragments galore. Very frustrating.
-Verbiage in sex scenes that personally icks me out or makes me eyeroll. Examples include "seam," "furrow," "secret place"/"sacred place," "treasure," and demonstratives for days. As a lesbian I think I'm extra picky about the language in f/f sex scenes, so it might not be as bothersome to non-wlw readers.
-Basically the entirety of chapter 3 being a business meeting.
-The strong girlboss vibes of most of the book up until like the 80% mark.
-Zero acknowledgement of racial divisions and racism within the queer community.
-The focus on and sexualisation of Manuela's breasts. Listen, I love boobs as much as the next queer woman, but this made me uncomfortable. Maybe it's just because I too am a larger-chested lady and it's something I very much do not like about my body.
Things I liked:
-Manuela coming to understand fully how her parents had emotionally abused her (even though that language isn't directly used) and eventually freeing herself from their control, with the time and effort that it takes for her to reach that understanding feeling realistic.
-The eventual repudiation of girlboss feminism.
-Adriana Herrera's lack of fear of the word "clitoris" (huzzah!)
-Centering the importance of platonic love, both in Manuela's friendships with her Leonas and Cora's late husband having been her best friend.
-Latina lesbians getting to be happy and fully themselves.
-Middle-aged lesbian couples vibing and doing cool leftist shenanigans in the background.
Things I didn't like:
-The pacing. It was horribly uneven, with the first third of the book dragging and several aspects/scenes happening off-page. This includes Cora's character growth at the end, making the reunion somewhat dubious, and all but the first of Manuela and Cora's outings, which could have given us a chance to see their relationship developing more deeply beyond their attraction to each other.
-The instalove/instalust. It's something I often struggle with as a demisexual, but I know some of that is down to personal preference.
-Typos, errors, and fragments galore. Very frustrating.
-Verbiage in sex scenes that personally icks me out or makes me eyeroll. Examples include "seam," "furrow," "secret place"/"sacred place," "treasure," and demonstratives for days. As a lesbian I think I'm extra picky about the language in f/f sex scenes, so it might not be as bothersome to non-wlw readers.
-Basically the entirety of chapter 3 being a business meeting.
-The strong girlboss vibes of most of the book up until like the 80% mark.
-Zero acknowledgement of racial divisions and racism within the queer community.
-The focus on and sexualisation of Manuela's breasts. Listen, I love boobs as much as the next queer woman, but this made me uncomfortable. Maybe it's just because I too am a larger-chested lady and it's something I very much do not like about my body.
Things I liked:
-Manuela coming to understand fully how her parents had emotionally abused her (even though that language isn't directly used) and eventually freeing herself from their control, with the time and effort that it takes for her to reach that understanding feeling realistic.
-The eventual repudiation of girlboss feminism.
-Adriana Herrera's lack of fear of the word "clitoris" (huzzah!)
-Centering the importance of platonic love, both in Manuela's friendships with her Leonas and Cora's late husband having been her best friend.
-Latina lesbians getting to be happy and fully themselves.
-Middle-aged lesbian couples vibing and doing cool leftist shenanigans in the background.
Content Warnings
Graphic: Sexual content
Moderate: Emotional abuse, Homophobia, Misogyny, Lesbophobia, Colonisation, and Classism
Minor: Gun violence, Hate crime, Violence, and Grief