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A review by hollyd19
The Book of Form and Emptiness by Ruth Ozeki
adventurous
emotional
hopeful
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
On more than one occasion while reading this book, I just wanted to hold it to my chest in a tight hug. The Book of Form and Emptiness is creative & thoughtful, with kindhearted, messy characters and a sensitive look at mental illness. It explores seemingly incongruous themes from climate change to the purpose of art to the power of found family.
The protagonist, Benny Oh, starts hearing voices after the unexpected and upsetting death of his beloved father. He realizes that the voices are the objects of the world trying to get his attention. On the whole, he finds their pleas overwhelming and he retreats into himself in search of solace. Ultimately, he finds comfort at the public library where things are literally quiet and orderly, and he meets a delightful cast of characters from the social margins who help him see his worth and sanity. Benny’s mother, Annabelle, wracked with grief, experiences her own breakdown and begins hoarding. Benny’s new “ability” clashes dramatically with Annabelle’s penchant for collecting, and the two have to figure out how to hold their little family together amidst their individual struggles.
Ruth Ozeki is incredibly inventive and this book definitely played with structure and perspective in an original way. The supporting cast of characters were all treated as full people which added immensely to my enjoyment.
My only critique of the book is that I wished for even more insight into the world Ozeki built around objects. The Book (a character in itself!) explains to Benny that there is a bit of a rift between Made and Unmade items, and occasionally goes on rants about how various objects (specifically books) view humanity. I really enjoyed those parts and they came with less and less frequency as the book progressed which was a bit of a bummer.
The protagonist, Benny Oh, starts hearing voices after the unexpected and upsetting death of his beloved father. He realizes that the voices are the objects of the world trying to get his attention. On the whole, he finds their pleas overwhelming and he retreats into himself in search of solace. Ultimately, he finds comfort at the public library where things are literally quiet and orderly, and he meets a delightful cast of characters from the social margins who help him see his worth and sanity. Benny’s mother, Annabelle, wracked with grief, experiences her own breakdown and begins hoarding. Benny’s new “ability” clashes dramatically with Annabelle’s penchant for collecting, and the two have to figure out how to hold their little family together amidst their individual struggles.
Ruth Ozeki is incredibly inventive and this book definitely played with structure and perspective in an original way. The supporting cast of characters were all treated as full people which added immensely to my enjoyment.
My only critique of the book is that I wished for even more insight into the world Ozeki built around objects. The Book (a character in itself!) explains to Benny that there is a bit of a rift between Made and Unmade items, and occasionally goes on rants about how various objects (specifically books) view humanity. I really enjoyed those parts and they came with less and less frequency as the book progressed which was a bit of a bummer.
Content Warnings
Graphic: Death, Mental illness, Grief, and Death of parent
Moderate: Body shaming, Panic attacks/disorders, Self harm, Forced institutionalization, and Car accident
Minor: Suicidal thoughts