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A review by cinthiaurora
Sharp Objects by Gillian Flynn
dark
emotional
tense
fast-paced
4.0
Every woman in a Gillian Flynn novel is just The Worst. And I love that for them.
I think she’s a very talented writer but in some instances throughout this book the way she presents new info felt a little off.
For example, the cutting.
For something that Flynn really emphasized plagues Camille’s every waking thought and influences every aspect of how she interacts with others, it just felt funny to “reveal” it half way through the novel. A novel being narrated by Camille no less.
Same thing with Adora’s violent tendencies. Up until Camille recalls the cheek biting incident, Adora was just presented to be a slightly overbearing, distant but possibly well-meaning mother. For being such a core memory you would think she would have brought this up, just, like, a little bit sooner. I understand the way to build suspense and all the strategies authors use to “leave breadcrumbs” in a story all the way up until the final climax. I understand the reason why these things couldn’t all be brought up at once. But sometimes it just felt like Camille had this selective amnesia until it was convenient for the narrative.
It felt funny, that’s all. But that’s just me being nitpicky.
Another thing that felt weird was the way Richard and Camille just, never spoke again immediately after the climax. I’m not saying it’s not realistic or that I craved any further “romance” between them, it just felt like a loose end Flynn didn’t know how to tie up so it was dropped altogether.
Anyways, those are just some of my thoughts. Great novel overall. Very twisted (in a good way) exploration of the dynamic between mother and daughter- which was rightfully the center focus of the book. Everything beyond that isn’t worth nitpicking too much. (Unless you’re like me and you like nitpicking :))
I think she’s a very talented writer but in some instances throughout this book the way she presents new info felt a little off.
For something that Flynn really emphasized plagues Camille’s every waking thought and influences every aspect of how she interacts with others, it just felt funny to “reveal” it half way through the novel. A novel being narrated by Camille no less.
Same thing with Adora’s violent tendencies. Up until Camille recalls the cheek biting incident, Adora was just presented to be a slightly overbearing, distant but possibly well-meaning mother. For being such a core memory you would think she would have brought this up, just, like, a little bit sooner. I understand the way to build suspense and all the strategies authors use to “leave breadcrumbs” in a story all the way up until the final climax. I understand the reason why these things couldn’t all be brought up at once. But sometimes it just felt like Camille had this selective amnesia until it was convenient for the narrative.
It felt funny, that’s all. But that’s just me being nitpicky.
Another thing that felt weird was the way Richard and Camille just, never spoke again immediately after the climax. I’m not saying it’s not realistic or that I craved any further “romance” between them, it just felt like a loose end Flynn didn’t know how to tie up so it was dropped altogether.
Anyways, those are just some of my thoughts. Great novel overall. Very twisted (in a good way) exploration of the dynamic between mother and daughter- which was rightfully the center focus of the book. Everything beyond that isn’t worth nitpicking too much. (Unless you’re like me and you like nitpicking :))
Graphic: Alcoholism, Body horror, Bullying, Child abuse, Cursing, Drug use, Mental illness, Physical abuse, Self harm, Grief, Medical trauma, Gaslighting, Toxic friendship, and Alcohol
Moderate: Body shaming, Child death, Emotional abuse, Rape, Sexual violence, Suicidal thoughts, Violence, Blood, Vomit, Medical content, Kidnapping, and Murder
Minor: Animal death, Misogyny, Sexism, and Classism