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A review by jiujensu
Vampira: Dark Goddess of Horror by W. Scott Poole
4.0
There isn't a huge cache of info on Vampira it seems. Even so, Poole manages a good bio as well as description of where she fit in the cultural changes and how she may have influenced.
What stood out to me was that she was a strong figure who instead of doing the submissive pin up routine, looked at the audience and embodied a women's right to pleasure - and pain if she wants - just by a scream.
She seems to have had lots of bad luck where others got breaks, made a few no so great choices (the lawsuit, for one), and was a little too strong for her era. Like the James Dean stunts. I feel like that would have been fine for today, but it kind of soured people on her at the time.
She's kind of an underdog or forgotten legend. She was pretty revolutionary - or ahead of her time in some ways. There was a bit about how she wanted to choose the next Vampira. She wanted a black or Latina woman, but the network said no to avoid "controversy."
She was under contract four a role in a work by William Faulkner. She was in the Village in the 40s, though her words are forgotten rather than celebrated like her male cohorts, Kerouac, Ginsberg, Burroughs. Ackerman, it's said, borrowed from her without attribution. It's amazing that she had so much influence and so little reward.
Quote from the beginning: "Here, the marginalized learn the importance of performance for survival. They understand themselves as different from the dominant power structure and know a direct challenge rarely ends well. So they role-play and subvert, often through the medium of anarchic humor."
What stood out to me was that she was a strong figure who instead of doing the submissive pin up routine, looked at the audience and embodied a women's right to pleasure - and pain if she wants - just by a scream.
She seems to have had lots of bad luck where others got breaks, made a few no so great choices (the lawsuit, for one), and was a little too strong for her era. Like the James Dean stunts. I feel like that would have been fine for today, but it kind of soured people on her at the time.
She's kind of an underdog or forgotten legend. She was pretty revolutionary - or ahead of her time in some ways. There was a bit about how she wanted to choose the next Vampira. She wanted a black or Latina woman, but the network said no to avoid "controversy."
She was under contract four a role in a work by William Faulkner. She was in the Village in the 40s, though her words are forgotten rather than celebrated like her male cohorts, Kerouac, Ginsberg, Burroughs. Ackerman, it's said, borrowed from her without attribution. It's amazing that she had so much influence and so little reward.
Quote from the beginning: "Here, the marginalized learn the importance of performance for survival. They understand themselves as different from the dominant power structure and know a direct challenge rarely ends well. So they role-play and subvert, often through the medium of anarchic humor."