A review by chalkletters
Dracula by Bram Stoker

adventurous dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

3.0

After last year’s successful Dad-goes-walking & I-go-singing holiday, this year we’re trying a Dad-goes-walking & I-go-reading weekend. I’m booked to discuss three books: Dracula, Shadowplay and The Deathless Girls as well as walk around Whitby, where much of Dracula is set. At this point, I have really no idea what the holiday itself will be like, but I’d read Draculabefore, so I decided to refresh my memory. I was hoping to read the ‘Dracula Daily’ edition, but it doesn’t come out until November.

Dracula is very much a novel of its time: the attitudes towards women and religion and people from countries other than Britain are entirely 19th-century, as are the long speeches. Some of Bram Stoker’s long passages of description work really well as scene setting for a horror novel, but others are a little tedious if you’re reading purely for enjoyment and with 21st-century eyes. 

That said, it’s not completely possible to read Dracula purely as a horror novel; there are too many things that don’t really make any sense. Why are all Dracula’s victims women, when he does away with plenty of men and has Jonathan Harker at his mercy? What, exactly, does Dracula want in coming to London? Not to mention, there are some pretty huge coincidences which stretch credulity if you’re not looking at Dracula as a metaphor for something. 

The essays in the Norton Critical Edition did a good job exploring the many, many different fin-de-siècle fears that Dracula could be read to represent. These are somewhat long and dry if you’re not actually studying Dracula, but still worthwhile in the long-run. (That said, the ones relating to the various cinematic and theatrical adaptations of Dracula aren’t particularly necessary as background information on the novel.) 

Bram Stoker’s characters fall into two camps: vampires (and Renfield) vs non-vampires. As there’s plenty of conflict between the two groups, it doesn’t really feel as though conflict between the non-vampires is missing, but it is a little unlikely that fully fleshed-out people would agree quite so completely about everything. Nonetheless, the characters are distinct with very little chance of muddling them up with one another, which is definitely an achievement.

Overall, it was fun to read a horror novel which really felt like a horror novel, and the Norton Critical Edition has hopefully prepared me for interesting discussions on my holiday!
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