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A review by smacey
The Bad Beginning by Lemony Snicket
adventurous
dark
emotional
mysterious
sad
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.75
4.75/5.00
I originally read the SoUE books as a kid growing up, back when I fit the population that this series was meant for. I loved them. I am re-reading them now as a 27-year-old, and upon finishing book #1, I am sensing why I may have always liked them so much: these books are essentially the juvenile version of trauma porn (in a good way, to those who also believe that is a thing). I thought that my enjoyment of dark, twisted, trauma-filled stories started in adulthood, but I now think that maybe I've just always been this way. Regardless of the self-reflection this book has brought about for me, this was definitely a different reading experience as an adult vs. child.
I have critiques of this book for sure, but when I take a step back and examine those critiques from the perspective of what audience this book is intended for, they mostly don't hold. My main example is how Justice Strauss and Mr. Poe are insanely inept, to the point of being entirely frustrating and seemingly unrealistic as their obvious incompetence and consistent dismissal of the three main characters goes against the expected character of a high court judge and experienced banker. However, when you view it through the lens of a young person, their inability to listen to the Baudelaire children and the way in which they miss the obvious signs of abuse, neglect, and general cruelty of Count Olaf despite allegedly being intelligent, well-meaning adults can be, and likely is often, extremely relatable as a kid around the age of Klaus or Violet.
Essentially, this book is entirely well-written in the utterly unique Lemony Snicket style which I don't believe could ever be replicated, and although the pace is quicker than I'd like and the plot isn't as complicated as I'd prefer, once again, as a piece of children's fiction, it does exactly what it was meant to - create a relatable but simultaneously far-reaching (but still believable) fictional story focused on characters the same age as its intended audience and told in both a captivating and educational manner. My only standing critique is I would have loved more detail/a slightly longer story (but I also know that happens with each expansion of the series, which I look forward to re-delving into). Despite the maturity I now have a decade since my first read, the story still holds.
I originally read the SoUE books as a kid growing up, back when I fit the population that this series was meant for. I loved them. I am re-reading them now as a 27-year-old, and upon finishing book #1, I am sensing why I may have always liked them so much: these books are essentially the juvenile version of trauma porn (in a good way, to those who also believe that is a thing). I thought that my enjoyment of dark, twisted, trauma-filled stories started in adulthood, but I now think that maybe I've just always been this way. Regardless of the self-reflection this book has brought about for me, this was definitely a different reading experience as an adult vs. child.
I have critiques of this book for sure, but when I take a step back and examine those critiques from the perspective of what audience this book is intended for, they mostly don't hold. My main example is how Justice Strauss and Mr. Poe are insanely inept, to the point of being entirely frustrating and seemingly unrealistic as their obvious incompetence and consistent dismissal of the three main characters goes against the expected character of a high court judge and experienced banker. However, when you view it through the lens of a young person, their inability to listen to the Baudelaire children and the way in which they miss the obvious signs of abuse, neglect, and general cruelty of Count Olaf despite allegedly being intelligent, well-meaning adults can be, and likely is often, extremely relatable as a kid around the age of Klaus or Violet.
Essentially, this book is entirely well-written in the utterly unique Lemony Snicket style which I don't believe could ever be replicated, and although the pace is quicker than I'd like and the plot isn't as complicated as I'd prefer, once again, as a piece of children's fiction, it does exactly what it was meant to - create a relatable but simultaneously far-reaching (but still believable) fictional story focused on characters the same age as its intended audience and told in both a captivating and educational manner. My only standing critique is I would have loved more detail/a slightly longer story (but I also know that happens with each expansion of the series, which I look forward to re-delving into). Despite the maturity I now have a decade since my first read, the story still holds.
Content Warnings
Moderate: Child abuse, Confinement, Death, Emotional abuse, Physical abuse, Grief, Death of parent, Fire/Fire injury, and Injury/Injury detail
Minor: Pedophilia, Transphobia, Murder, and Alcohol